By Owen Quinn author of the Time Warriors and Zombie Blues
Doctor Who: 1001 Nights Published by: Big Finish Starring: Peter Davison and Sarah Sutton
Peter Davison has often said he would loved to have had Nyssa as his solitary companion in the television series and thanks to the cliffhanger at the end of his first season where Tegan was left behind on Earth at Heathrow airport, there is a gap in the canon where the fifth Doctor and Nyssa were the only occupants of the Tardis. Big Finish has taken this opportunity to tell tales of these stories and 1001 Nights is no exception.
Here we find Nyssa at the hands of a Sultan played by Deep Space 9 and Primeval star Alexander Siddig. To keep the Doctor alive, Nyssa must tell the Sultan stories of monsters and far away lands to keep him entertained. But at first glance they may seem a parochial tale to tell other shorter stories but it turns out to be much more. Even the opening scene which sees the Doctor and Nyssa battling a rock monster with magic and flying carpets is a nice nod to exaggeration in storytelling. The events must be made more fantastical to keep the Sultan’s attention. Sarah Sutton does a great job of portraying a girl from a placid society standing alone in the face of adversity. She must break through the Sultan’s arrogance to convince him that his land is facing a terrible danger from demons; demons that only the Doctor can defeat.
The Ganther have left a beacon behind in the Sultan’s palace somewhere and the aliens they work for are on their way. But this matters not to the Sultan; all he wants to know about is stories about the travellers’ adventures in time and space. But, with the Doctor locked in a dungeon, can Nyssa survive long enough to buy the Doctor enough time to escape? As Nyssa faces her own mortality, the Doctor discovers prisoners that hate their cells being broken into and something else. But don’t be fooled thinking this is just Nyssa telling story after story. When you least expect it, the story kicks off in a new direction which spins a new take on an old theme.
Peter Davison does his usual sterling job (loved his line, ‘I’m quite good with corridors’), Alexander Siddig lights up anything he is in (having met him in real life, I am slightly biased) and Sarah Sutton adds layers to Nyssa that should have been done on television. Often the companions of those days fell foul of sloppy and lazy writing and, with the crowded Tardis, Nyssa was lost in the crowd of Adric and Tegan and then Turlough. Thankfully the Big Finish range has taken these characters and made them all what they should have been all along.
Overall, a very entertaining story that has left me with a burning desire to see a certain person in the role of the Doctor. Listen and see if you agree with me…
By Owen Quinn author of the Time Warriors and Zombie Blues
This week it’s one of the most recent companions, the very lovely Martha Jones…
Photo copyright BBC
I have to say from the get go that I love Martha Jones. Rose and her love sick pining just didn’t do it for me so when Martha, a trainee doctor, met the tenth Doctor when her hospital was transported to the moon, we knew from the start Martha was destined for other things.
Her mum and dad were separated, her dad having met a blond bimbo, and in a scene for her sister’s birthday the Jones showed they had their own problems and follies.
Martha, played by the beautiful Freema Agyeman, impressed the Doctor right from the start with her attitude and reasoning. Having her hospital pulled to the moon and filled with rhino policemen simply didn’t faze her. She faced down the Judoon and fought the Doctor’s corner even though they had only just met. If it hadn’t been for Martha, the Doctor and everyone else would have died on the moon.
When the Doctor was attacked by a Plasmavore, Martha had to perform CPR on him in order to stop an MRI machine exploding wiping out half the Earth. She broke though the Doctor’s grieving over losing Rose and in that meeting she found herself falling for this strange alien in a police box. William Shakespeare fell in love with her as they battled deadly witches, the alien Carrionites. She was present when the Face of Boe died and brought New New York back to life from an eternal traffic jam in Gridlock where the Doctor admitted to her the story of how the Time Lords died. In Daleks in Manhattan the Doctor trusted her enough to work out what the Dalek building requirements for the Empire State Building really meant and her medical skills were put to good use. She became a fully fledged time traveller in the Lazarus Experiment and was almost plunged into a sun in 42.
And although the Doctor never noticed her feelings for him, I would argue she was the Doctor’s most trusted companion in a long time. Never before had he placed his own safety in another’s hands as he did in the two part Family of Blood story where he had to turn himself into a human to hide from aliens that wanted to feed off his Time Lord energy. Martha posed as his maid to keep him safe but she faced prejudice and racism and never once complained. The Doctor was her friend and no one was going to hurt him on Martha’s watch. And all the while she secretly hoped he would look twice at her and maybe return her feelings for him. But Martha carried the greatest responsibility of any companion ever when she was tasked with walking the Earth spreading the word of the Doctor when the Master and the Toclafane devastated the Earth. Her family were slaves aboard the UNIT ship, the Valiant, along with Jack Harkness and the Doctor who was aged hundreds of years and kept in a cage.
All the while, she was hunted by the Master and it’s all credit to her that she managed to avoid being captured and single handedly spurred the resistance on to complete the Doctor’s plan. She saw whole continents burned to a crisp and mass extermination of the human race but she ploughed on. That the fate of the world lay with a trainee doctor speaks volumes about how much she trusted the Time Lord. She became as much of a legend and light in the darkness to the human race during the year that never happened as the Doctor did.
It also says a lot that not even the Master, who knew every one of the Doctor’s tricks, failed to find her, despite a global man hunt. These events were covered in the novel from BBC books, Martha’s story. But in one of the best departures ever, she told the Doctor how she felt and her family were now her priority having witnessed the destruction of millions. Although the Doctor managed to reset time so none of it happened, those aboard the Valiant remembered everything, to the point where her mother Francine was prepared to shoot the Master for his crimes. It also brought Martha’s estranged parents back together, having rediscovered their love for each other while as slaves to the Master. But that was not the end of Martha’s story. The Doctor didn’t want her to leave but accepted it. Ultimately he felt guilty over not being able to return her unrequited love. To make amends, he got in contact with UNIT allowing Martha became a fully qualified doctor and securing a job with them. But before she was reunited with the Doctor in the Sontaran Stratagem, Martha had a stint in spin-off series Torchwood, helping Jack with a trilogy of cases. The bond they both shared having seen the Earth destroyed at the hands of the Master bound them in ways no one else could appreciate. She had also gotten engaged to Doctor Tom Milligan, whom she had met in the other reality where he gave his life to save her from being executed by the Master. This was a more confident and secure Martha that could deal with anything, including being aged by death itself.
The Doctor’s treatment of Martha obviously bothered him as he told Donna Noble all about it as shown when they were reunited in the two part Sontaran Stratagem. Martha called the Doctor back to Earth to solve the problem of Atmos, a car system being used by the Sontarans to change the atmosphere in order to turn the planet into a new cloning facility to produce millions of new troops. Donna was appalled that Martha had become a soldier working for UNIT, wondering if life with the Doctor left all his friends like that but the Doctor said he needed people like Martha in such organisations to help keep them human and change the military mind from within. Donna was intent on travelling with the Doctor forever but Martha warned her that life with the Doctor could burn her more than she realized. Seeing the Doctor again, she knew she had made the right decision to leave but was flung into another adventure when the Tardis took them to meet the Doctor’s Daughter where the needless death of an alien ensured Martha could not stay anymore. As much as she missed the Tardis, it ensured, in her head, that she had made the right decision. She returned home once more, but fate would decree that she would cross paths with the Doctor once more.
The Dalek invasion of The Stolen Earth and Journey’s End story forced her to become centre stage again. Taking in both Torchwood and the Sarah Jane Adventures, all the Doctor’s companions and friends came together to stop Davros from detonating a reality bomb, Martha had the most difficult decision of all. She was ordered by UNIT to activate a device that would destroy the Earth completely by detonating a series of nuclear bombs under the surface, effectively breaking the planet apart.
The Doctor was appalled, but Martha had learned from him and gave Davros the chance to retreat and return Earth back where it belonged. The fact she that was prepared to wipe out her homeworld gives her bigger balls than any companionbefore or since and her story arc was beautifully evolved. Who would have thought the young doctor would be capable of such an act? But her travels had shown her that aliens rarely had such moral views. So to protect humanity she would wipe it out. The memories of the Master’s dictatorship clearly left deep scars.
She also refused a permanent place in Torchwood, instead teaming up and marrying Mickey Smith to fight aliens once more as seen in the end of time. And, as far as we know, she is still out there keeping her family – and ours – safe.
What do writers have in common? What are the challenges and how do they overcome and get their work published and broadcasted. Join Owen Quinn and Laurence Doherty in today’s conversation of Belfast Writers .
Every hero needs their equal arch enemy. the Doctor has the Master. Sherlock has Moriarty. So the Time Warriors have The Collector.
Long before I knew the Marvel Universe had their own collector, I grew mine from a simple premise. I’ve been collecting sci fi merchandise for years and have seen just how far some collectors will go to complete or add to their collections. So what if I took that to the extreme where entire planets were seen as collectibles? And what if OI personified it in a man of mystery called The Collector? How far would one person go to secure the most prized of possessions?
In Book one First Footstep we meet the Collector in the story Tombs of Ether. When Tyran is kidnapped by an alien organic drop ship, she finds herself alone and cut off from the others on the impossible world of Ether. The native species have been subjugated by the alien mercenary armies of the Vorg. They are under contract with the Collector whom has an intense interest in the reptilian inhabitants of Ether.
Tyran finds herself in the middle of a war for knowledge, of histories long forgotten; of universal secrets that lie within the very minds of the Etherians themselves. Therr is nothing humble about the Collector. When he wants something he takes it no matter what the cost to others. He wants the Etherian species and Tyran is an obstacle to that goal. Below is his entrance into the story.
This one was different.
His stride was confident, his frame possessing an arrogance that matched his stature.
His shoulder length white hair swung proudly around the red skinned face which made the full mouth of teeth shine like the moon over the Katarsis Lakes on the Vorg home world.
The nose was slender but gave him a regal air. The perfect skin, the intense blue eyes, betrayed nothing but determination. The clothes were a rich fabric the General had not seen since the fall of his civilization. A gorgeous royal navy shirt clasped at the neck by a gold pin matched his fitted black trousers, tucked into shiny knee length boots was completed by a long cloak of a deep saffron color, its edges trimmed with gold lilt.
He called himself the Collector, his real name a mystery and his attire gave one the impression he only liked the richest, most luxurious things in life.
He considers himself above all other beings in the universe taking great pleasure in taunting General Tork of the Vorg army. The Vorg were decimated in a war and now are restoring their world by hiring themselves out for hire. Against Tork’s better instincts he has agreed to a work for the Collector for a very handsome price that will go far to restoring the Vorg homeworld.
This turn in misfortune only serves to give ammunition for the Collector to lord it over his employees. His reaction to tyran is very different. There is an attraction there for him. With Tyran firmly on his radar he takes it as a personal insult when she manages to turn the tables on him and force him off Ether without his prize.
There is a cold determination that runs through the Collector. He has seen much and possesses tech that has been collected from other species. He has the ability to force time forward which he does on helpless Etherian triggering a change that brings him one step nearer to securing the Etherian secret.
Defeated he leaves Tyran with a chilling warning; that he knows where Earth is.
This time round we find him a prisoner of the Cavalandrians, lemur type empathic creatures that are on the verge of being exterminated by the fur trading Karosians. This time he has changed his hair and skin colour but still retains that flamboyant style and sharp tongue. and On the surface the Collector seems to be genuinely trying to save the Cavalnadrians from this fate. He offers them a refuge in his collection which will allow them to survive and thrive free from fear of being skinned. The arrival of the Time Warriors and their mistrust of him confuses the issue for th Cavalandrians. It delays their decision and the Karosians attack. Such is his passion Tyran begins to doubt he is being his usual nasty self. Could it be The Collector really is the ebst hope for the Cavalandrians?
Forced to fight together, the Time Warriors and the Collector cause more destruction than good. By the end of the story the Collector is one unhappy bunny with the Time Warriors. There is no doubt he intends to pay them back for their interference.
I know when the Collector is coming back and I can’t wait to write it because this time we are going to see what he is all about. Roll on The Time Warriors Vengeance.
One of my earliest memories is going to my uncle’s house late at night. They were watching one of the old Dracula black and white movies starring Bela Lugosi. I was terrified and they turned it off just for me.
However, scared as I was I couldn’t help but be lured back by these movies. The more I watched them the more questions I had about vampires. Barlow in Salem’s Lot absolutely terrified me as a kid and still does right up until this very day. But I wondered why he moved as he did. Why send Straker ahead to establish a foothold before consuming the entire town? It was clear he had travelled all over Europe repeating this behaviour. But to what Purpose? He had enough for an army of vampires to go forth and convert all humans but that wasn’t his plan. So what was his purpose? Why did Dracula always go after virgins? Did they have signs on their heads? Did vampires have a ‘I’ve not had sex ever’ radar? What was their purpose? Skulk about the world in secret feeding on the innocent didn’t seem to be a reason to be for any species so in those moments not only was the Time Warriors universe born but so was one of their biggest and deadliest foes; the Veldrox.
But there have been many different vampires over the years with various drives, motives and appearances. For one, in Dracula 2000 we learned that Dracula was in fact Judas Iscariot, the man who betrayed Jesus for thirty pieces of silver. While not the greatest movie, it utilises the lore of the vampire to explain their aversion to silver and all things religious. But I had to come up with an unique angle that would deliver vampires we all know but give us a different and new dimensions that would fit only the Time Warriors universe but give us a base to build upon for future encounters. Enemies have to be unique as possible and avoid being carbon copies of other races already established in other sci fi shows eg the Klingons and Kazons in Star Trek. It’s not easy given the wide history of aliens in science fiction and fantasy.
Photo copyright Owen Quinn
The Veldrox make their debut in the full length novel, Venom. Following the events in Tempest, a newly reunited Michael and Rachel head off to the Irish seaside town of Ballybraken for some much needed time together. However it isn’t long before they discover the local monastery is harbouring a dark secret that threatens the safety of the entire planet. Bally braken is more than just another family holiday destination. It is the launch pad for an deadly invasion.
The Veldrox are an ancient species scattered across space who drift from planet to planet in a crystalline cocoon they spin from their own bodies. Once they land on a planet they begin reaching out to those mentally vulnerable and recruit them to their cause. Those of us who feel isolated or suffering from the loss of loved one are easy prey for a Veldrox. It takes those feelings of depression and pain and give you a way out. It promises to stop the pain and before you know it you have fallen under its influence. It doesn’t want to outright kill anyone as the entire populace serves every facet of its plan. However that doesn’t mean it won’t kill anyone that gets in the way as the Time Warriors find out. In appearance they are broad muscled creatures with bat wings. Facially they are a cross between a wolf and a bat. Their bite is enough to infect a victim with the venom that will change them into a subservient drone.
The monks are all in fact servants of the Veldrox who have kept their master hidden in the catacombs until they can release him onto the world. They can only do that by getting the crew of a nearby gas rig to dig something up that is buried in the seabed where they are drilling and sacrifice Rachel to their master. Her unique biology makes her the perfect vessel to restore the Veldrox.
With Rachel gone Michael, Varran, Tyran and Jacke must fight as the townspeople are bitten and become Veldrox drones as depicted on the book cover. But as I said, these are vampires with a difference. As the Time Warriors begin to fall and Varran finds his home is no longer his castle the Veldrox launch their attack. With only the head of the gas rig and mysterious lighthouse keeper as their only allies, Varran must face down a town of vampires and their Veldrox master before the rest of Earth falls.
The Veldrox are what I call ‘eloquent evil,’ a phrase I heard Clive Barker use to describe villains. They are master manipulators of the human mind twisting our very religions to convince us their way is the right path. Pain and loss and suffering can bring down the best of us to the point where we will do anything even reverse time to get back what we have lost. Unlike the vampires of 30 Days of Night the Veldrox have no interest in drinking your blood or ripping you from limb from limb; they are only interested in converting you to a drone that will infect as many other humans as possible. The destruction of Earth is not their goal; they are going to turn it into a food factory and bring the remaining Veldrox to Earth to restore the species. When they discover that Varran has in his possession a fully working time machine their plans seem set to succeed. Who are the Cult of Veldrox? Why are the legendary crystal skulls the most dangerous thing on the planet? What is the legacy of the Veldrox?
Their mythos deepens in the story The Skull when Jarvis Cochrane, a scheming millionaire’s son and ancient grave robber steals a crystal skull from Peru.He flees to Europe to Brussels where women begin disappearing. A serial killer is at large in 1975.
Varran and the others are called to help transgender police detective Catalina in the seventies find the killer. However when mysterious natives from the Peru arrive to find the skull themselves and Jacke disappears changing the original timeline, the race is on to stop the resurrection of the Veldrox.
There is still a lot more to learn about the origins of the Veldrox but these two encounters have left a deep mental scar on the Time Warriors that they will carry for the rest of their lives.
By Owen Quinn author of the Time Warriors and Zombie Blues
Owen looks back at a classic encounter that helped inspire him and shape his love of writing.
There is something about sci-fi fans that keeps them young, not in a Cliff Richard way but in a Peter Pan way and if you could bottle it you’d make a fortune.
Maybe it’s memories of happier times that make us love what we love or maybe the quality of having that part of us that remains an eternal child helps us stay young. It allows us to excitedly anticipate every new movie and TV show and settle down just as we did as kids. In this day and age team ups are a dime a dozen. For every Superman vs Alien there’s a Batman vs Predator. Indeed in comic land entire universes crossover. But count your chickens and hold them close people because I remember a day when such things were a rarity and with no video or DVD or internet, you just saw them the once unless the corporations decided to repeat them to fill a gap in the Sunday afternoon schedules. (Yes, peeps, there was a time when no one worked on a Sunday, swear to God). And I take my hat off to anyone who dreams of a super team up and in the seventies, the world was captivated by bionic men and women. Steve Austin battled agents, deadly space probes and lots of Russians but who could possibly give him a run for his money? Well, the legend of Sasquatch aka Bigfoot was big news especially with the Patterson film, which by the way has been proved to be 100% real so the producers decided there was only one thing that would give Steve a run for his money and to take his mind off his girlfriend Jaime Sommers’ memory loss about their love for each other- Bigfoot. The episode called The Secret of Bigfoot, aired on 1st February 1976 and it proved to be a ratings smash which delighted everyone and Bigfoot came back for two appearances, one of which saw him battle the Bionic Woman who on meeting him did the one thing I would have done, jump into the highest tree, something Steve didn’t think of. And I for one jumped for joy. So if you meet Bigfoot, survival rule number 1; climb the nearest tree. In the Return of Bigfoot, renegade aliens from the previous story were controlling Bigfoot to steal equipment they needed for a deadly plan to take over the world. Steve’s memories are restored, having been wiped at the conclusion of the first story and when none of his friends believe him about the Bigfoot, he is forced to go it alone resulting in nearly being killed by the Sasquatch. Jaime discovers the aliens have a serum that cures anything and goes off to the forests to find them but is attacked by Sasquatch. And by the end of the story all three team up to prevent an exploding volcano by accelerating it through time itself. His final appearance was in Bigfoot V which revealed in had been left behind in stasis by the aliens and had been photographed by a female explorer leading Steve to come to his rescue. In the end, the television version dovetailed into legend as a lone creature that walked the mountains guarding the forests. In many ways it was a tragic end for such a popular character. He had forged a strong friendship with both bionic parties especially Jaime that such an ending seems an easy way out but to keep the legend alive, the only way to end it. Such was the success of Bigfoot in the show, Sasquatch was forever cemented into the public consciousness and the world exploded with Bigfoot sightings. They even produced an action figure so kids could have their Steve figure battle Sasquatch in their own living rooms. Unfortunately, my Steve figure, dressed in his best red tracksuit, was left on one of those old style shelf radiators and a few hours later, I found him melted. I don’t think I ever got over that. But anyway there is no one of my generation that have ever forgotten the fight between Steve and Bigfoot, it really was that momentous. The build-up was similar to the appearance of the T-rex in Jurassic Park, that steady thump thump of huge feet, branches breaking as Steve tries to see what is making them. And when Bigfoot, played by Andre the Giant, is revealed it’s no fist fight. Boulders and tree trunks galore are smashed as they battle. And the reason Bigfoot has bionic sound effects is a shocker when Steve rips his arm off to reveal Bigfoot is actually a cyborg, later shown to be the guard dog of a group of aliens that have been living in the Oregon forests for centuries. They exist in a different flow of time which explains how Bigfoot was seen for centuries explaining Bigfoot’s appearances in Native American folklore. Bigfoot can jump across a lake even with one arm but Steve barely makes it before he is trapped by the aliens and examined. Needless to say they become friends but no one will forget the moment Bigfoot was catapulted into our physce because he could beat up the Six Million Dollar Man. And for once you can actually believe Steve is going to be defeated. The build-up cannot fail to impress even to this day as hidden point of views and Bigfoot kept to the shadows in silhouette ramped up the tension along with the deep roar that echoes around the forests. And as silly as it seems, I still cannot fail to be entertained by the showdown which is also helped by the cracking music, a mix of primal sounds mixed with the theme tune. And it actually looks like the fight is rough when Steve is grabbed by the monster and thrown about like a rag doll. And in all sci-fi, unless there’s a realism to such sequences then they will ultimately fail but in this case, the battle has lingered in so many fans’ memories because it really is a classic. It’s right up there with the Hulk facing down the Thing, Batman fighting Bane and that’s where the magic lies. You can honestly believe that Bigfoot fought the Six Million Dollar Man as sightings continue to this day in that ocean of dark forests that house the legends of time and you will never look at the Oregon forests in the same way ever again.
By Owen Quinn author of the Time Warriors and Zombie Blues
copyright BBC
From 1978 – 1981, British science fiction fans had a delicious alternative to the time travelling antics of the Doctor. And surprisingly it came from the pen of the man who created the Daleks, Terry Nation, who also wrote Survivors about an Earth trying to survive after a virus wipes out most of the population.
Essentially, Nation offered a show which he described as the Dirty Dozen in space and thus Blake’s 7 was born. It became an instant hit with 10 million viewers and made household names of all its stars. Nation had wanted to include the Daleks in the show but this never happened.
For its time, the concept was not the cosy world of the starship Enterprise. Roj Blake (Welsh actor Gareth Thomas) was a political dissendent until the day he was framed for child molestation by the authorities, the all-powerful Federation. Brutalized, he finds himself on a prison ship with a bunch of criminals en route to a prison planet. On their way there they stage a mutiny that fails and suddenly they find a spaceship in their way, a deserted ship of a design completely alien to the Earth.
Blake and two other prisoners – computer genius Avon (Paul Darrow) and smuggler Jenna Sally Kynvette) – are sent abooard because the Federation’s people died soon after entering the ship. Blake manages to commandeer the ship which they christen the Liberator and the war against the Federation begins. Blake is joined by some of his fellow prisoners as a crew which will be completed by the telepathic Cally (Jan Chappell), Orac (voiced first by Derek Farr then Peter Tuddenham) a box like super computer that can be carried about and the Liberator’s own onboard computer Zen (also voiced by Peter Tuddenham). By the end of the first three episodes, the crew was in place and we would engage on a journey that would end on a cliffhanger so huge that it is talked about to this day.
Chris Boucher who created Leela for Doctor Who and wrote the classic Robots of Death, was hired as script editor because, although Nation had written all thirteen episodes of season one which would see a cliffhanger that showed the Liberator exploding and ensured fans return for the second season, he didn’t write great dialogue. And writing all of the first season solo was a hard task for any writer and he cut back for season two, allowing new writers to come aboard.
Although the series lost some of its initial ‘Dirty Dozen in space’ flavour, it remained firmly on good guys and bad guys ground. Although perceived as terrorists, Blake’s gang were the heroes and the baddies were represented by Servalan (Jacqueline Pearce), the ruthless female power god over the Federation and her henchman Travis, a one-eyed villain played by both Brian Croucher and Stephen Greif in different seasons and interestingly enough horror star Ingrid Pitt was considered for the role of Servalan. But as history shows, only Jacqueline could play that role. Sexy, beautiful, speaking eloquent evil, Servalan was as tough as any man on the show. She became an icon as much as the others and is a regular convention circuit attendee. Rounding out the crew were Gan (David Jackson), a man with an implant in his head to control his violence and the cowardly lock picker Vila ( Michael Keating).
Cally was an alien, an Auron and was supposed to have coloured eyes and alien make up to give the series a more sci-fi feel but this was abandoned due to budget. Special effects were handled by the BBC inteam and included Mat Irvine who oversaw many episodes. But the Liberator itself was designed by Roger Murray leach who also did the interior decks. Ian Scoones then added to the details. There was simply nothing like the Liberator on television before. Its unique trident formation made for a visual beauty and it was filled with technology beyond that of the Federation and that made Servalan want it for herself. As well as super speed, Zen the onboard computer took up one wall with its hexagonal design which lit up when he spoke and a hologram-like screen to show exteriors. But the best thing was a teleport in which the characters literally broke apart to the sound effect of a drum symbol to reform on a planet surface in a compressive white line. To use it, a character had to wear a teleport bracelet which Blue Peter then showed viewers how to make their own homemade version (below).
copyright BBC
Some of the shots of the ship were actually matte-like drawings which were effective for their time mostly because the design was so classic and stood out among other sci-fi ships.
The show would see Blake and his comrades fighting to being down the Federation which was corrupt and controlled its citizens via drugs in their food. Avon was the thorn in Blake’s side. Avon always worked to his own agenda, only helping if it suited him. He wanted the Liberator and its massive power for himself and he and Blake butted heads on many occasions. The rest of the crew followed Blake but not without question and Vila was the lazy slob of the group which endeared him to both fans and the rest of the crew. Jenna was a strong woman in character but the writing didn’t always portray this. Cally joined Blake with her mental powers coming in handy from time to time. Gan however did very little and come the second season, David Jackson decided he had enough. he once handed the producer a piece of paper with the number 4 written on it. When asked, he told them that was the amount of lines he had in that week’s script. He was killed off in a heroes death, saving his friends in the episode Pressure Point. Orac was an invention that Servalan also wanted but Blake got to first.
At the end of season one Orac predicted the future and showed the crew the destruction of the Liberator but it tuned out that the original aliens that built the ship, The System, want it back and they discover a sister ship which is the one that is destroyed in Orac’s prediction. Aliens were few and far between in the show but they did appear from time to time in episodes such as The Web, Duel, Harvest of Kairos, Animals and Ultraworld.
Season two would see a story arc where Blake sought out Star One, the centre of federation power and highly ultra secret as to its location. When they eventually discover it, they find aliens had duplicated the personnel and are in fact plotting an all out invasion helped by Travis who at this stage has been exiled by Servalan for his constant failures.
The series turns everything on its head as Blake’s 7 and the Liberator are all that stands between the destruction of their civilization, corrupt as it is. In a cliffhanger that wouldn’t have been out of place in Star Trek, the show ended its second season as the alien armada bears down on our heroes and the Federation forces. Think the cliffhanger to Best of Both World’s as Riker says ‘Fire!’ but on a lower budget. The alien fleet looks like it has been put together with washing up bottles, tins, sauce pan lids and anything that has been lying about but it kept viewers gripped. However, with season three both Gareth Thomas and Sally Kynvette decided they had had enough and left the show. Although it retained the title of Blake’s 7, Avon was now the Blake character, achieving what he had wanted from day one but as we would see, Avon wanted Blake back. As the Liberator limps from the battle which saw the aliens repelled, the crew are scattered in life pods and Jenna and Blake are believed dead. The Federation is in tatters and everything has changed.
New characters Dayna (Josette Simon), a black weapons expert who is brought into the conflict when Servalan, who has also survived the battle, murders her father. Del Tarrant ( Steven Pacey) also joins the crew as an ex-federation officer. He would knock heads with Avon just as the latter had done with Blake. By the end of this season Avon falls into a trap by Servalan who lures him to an experimental world Terminal where he believes Blake is being held alive and well. But in a drug-induced vision he sees Blake trapped in a life support machine and it has all been for nothing as Servalan reveals herself. She finally has the Liberator but unknown to her, it has passed through a strange cloud in space which is now dissolving the ship in space. She strands the crew on Terminal and thinks she has won. She orders the engines to full power but the Liberator spectacularly explodes in space and it seemed that was the end of the show.
However, a fourth series was ordered, so the producers and writers had to figure out a new ship and how to get them off Terminal. Only this time, Cally is killed when they spring one of Servalan’s traps.
copyright BBC
So in season four we had a new ship, the Scorpio, which had a working teleport and another computer named Slave which fulfilled the same function as Zen. Scorpio did not have the beauty and classic style of the Liberator but it did have a handy underground base in which they find a new hiding place from Servalan who survived the Liberator’s destruction and is now out for them again.
In the first episode, Rescue, a mysterious stranger called Dorian comes to save them and offers them a home in his base. However Dorian tries to feed them to an alien(in reality a recycled Sea Devil from Doctor Who) so he can stay young forever. They manage to kill the beast and destroy Dorian in the process who ages to death before them. His companion, Soolin, played by Dempsey and Makepeace and Emmerdale star Glynis Barber, joins them.
The fourth season was generally lacklustre but the episode, Sand, sees Tarrant and Servalan trapped by living sand and we learn of Servalan’s tragic past. It is a master class in character writing and stands as the best of the season until we reach the final episode, Blake. Wanting closure to the character, Gareth Thomas returns to the series.
We learn Blake is very much alive, scarred but working again against the Federation under the alias of a bounty hunter. When the Scorpio is attacked and crash lands, an injured Tarrant is rescued by Blake who refuses to reveal his identity. We learn Jenna is dead and Avon has tracked Blake to this world. Separated by the crash the crew finally end up face to face with Blake who Tarrant says is responsible for their being here. It’s a Federation trap but not of Blake’s causing. One of his new band of allies is in fact a federation agent and has alerted their forces to their location. Avon is devastated that the man he trusts has betrayed them and he guns Blake down. the sight of Blake’s stomach exploding in a bloody mess is a shocking image as Avon stands, stunned, over his former friend’s body. Federation troops swarm in and one by one our heroes are gunned down in a fantastic slow motion sequence that leaves no doubt they are dead. Avon is left alone over his friend’s body, surrounded by troops. There is no dialogue and the only sound is the alarm. The red lighting dims as Avon looks up, raises his gun and smiles. the screen goes black and the sound of gun shots ring out.
Having fallen out with producer Vere Lorrimer, Jacqueline Pearce was not in the final episodes and how fitting would it have been to have her present to see her enemies slain before her eyes? Executives wanted a fifth series but it never materialized. presumably it would have shown the crew were stunned and not dead but we will never know.
Blake’s 7 stands as a classic show that got the nation talking and the final slaughter is akin to the Great Escape. No one expected them to die and Terry Nation never thought when he created the show that we would still be talking about that ending. Although in a novel it shows Avon is a prisoner in a top security prison and Vila returns, having survived being shot. There have been rumours that the show was to be remade for television, even as late as 2012, but still no sign of confirmation. Big Finish did recast and remade it as audio plays and are currently doing the Liberator Chronicles which sees the old cast return to their roles. But for now, savour the old series; four brilliant years that defied budget and brought to life characters that have stayed with us. A true classic.
By Owen Quinn author of the Time Warriors and Zombie Blues
copyright Big Finish/BBC
This story is the penultimate one in the new fourth Doctor series of Big Finish plays and is filled with nice little nods to the past and the present.
It’s the seventies and, as we open, the Tardis materializes in a field full of cows, a nice reference to the start of Image of the Fendahl, including a joke about stepping in something nasty. But what the fourth Doctor and Leela step in is nothing a cow has produced. They find a huge trail of mucus and immediately are set upon by a hunting party; a party hunting “you know what”, again a nice nod to Harry Potter. They are trying to rescue a missing girl, Julie, who apparently was stolen from her bed by the giant worm. We learn the legend goes all the way back to the Roman Empire and somehow it is all too real. Leela is attacked by a Colonel Spindleton, played by Michael Cochrane who appeared in the Sylvester McCoy television story Ghostlight, where he played a mad safari hunter. I met him years ago at a convention and his love of the show was obvious, so it’s nice to see him back in top form and I mean, way over the top. His chasing Leela in his tank to protect his property is hilarious and yet, as we soon learn, hides a darker secret. Leela was always the one companion for me that could stand against anything and survive and the scenes when she is taken to Spindleton’s manor and discovers the secret in the cellar are magic. For waiting in the cellar, where the floor is cracked, is the Master. I loved the way Leela calls him the Cowled One and is completely unafraid. But her innocence over his identity may be her undoing, especially when the worm rears up and drags her into the depths of the crack. Doctor Who has always done the gross and the disfigured well and this decayed incarnation of the Master, first seen in the Deadly Assassin, is an all-time classic, the image of which burned into the minds of viewers and has never been forgotten. Indeed it was one of the first six releases in the classic Doctor Who action figure range. Imagine that glaring down at you from Tesco’s shelves; fabulous. In that story, the Master has used up all his regenerations and become a decayed husk, a living vampire that needs the power of the Eye of Harmony on Gallifrey to keep him alive as he hunts for a new body. Here, fan fiction stepped in; in the novel Legacy of the Daleks where the eighth Doctor battles the Master in the twenty second century in the wake of the Dalek invasion seen in the second season and where the Doctor left his granddaughter Susan. As the Master tries to revive hidden hives of Daleks, it is revealed that Susan caused his disfigurement as she flew off in his Tardis leaving his burnt body to be found by his Time Lord ally in the Deadly Assassin. He was played then by Peter Pratt. but when it was decided the Master had to come back, his new decayed form was played by Geoffrey Beever in the Keeper of Traken. And there was always a fear when the Doctor confronted him and in the middle of his quips and jokes in this play, Tom Baker has lost none of this frightened tone. The fact that these two men are from the same species, yet one is so severely disfigured, you wonder if it is a fate the Doctor fears may happen to him. And there is nothing more dangerous than a wounded animal. Beever has the beautiful voice that evokes Clive Barker’s comment that all villains and monsters should speak an eloquent evil and here he does in spades. And I for one would like to have seen this version continue in the series rather then turn into Anthony Ainley, good though he was, a few more adventures examining the walking dead Master would have been fun. That aspect is not used here though as we learn the Master is controlling the worm, a bio-organic machine – or so he thinks – in order to create worm holes in reality, but why? The play ends on a cliffhanger which leads to the season finale the Oseidin Adventure. Overall, this has its enjoyable moments but feels like the build up to the finale and we have a new era Who type cliffhanger. The only thing I would say isthat this version of the fourth Doctor feels like his later years; jokes and quips every two minutes which wasn’t evident when he and Leela travelled together. There he was much darker Doctor, showcased best I think in Talons of Weng Chiang where he balanced danger and humour perfectly. But then again, the fourth Doctor is back in new adventures, something fans have dreamed of for years, bringing us such lines as “Don’t blow up the cottage, she’s just had her curtains dry cleaned!”. This Doctor may confound and confuse all those around him fooling them into thinking he’s stupid, but remember, nobody is as stupid as he seems. There are extras in the form of cast interviews which are worthwhile listening to. Roll on the finale because the Master isn’t the only old enemy returning…
By Owen Quinn author of the Time Warriors and Zombie Blues
Best friends Zach (Joel Courtney), Randy (Calum Worthy), and Kayla (Andi Matichak) discover that their neighbours are being killed and replaced by perfect copies of their victims. Their only chance to survive is to covertly record the invasion in a desperate attempt to warn the world.
Directed by John Murlowski and co-written with Steven Palmer Peterson
Starring Joel Courtney, Calum Worthy and Andi Katichak.
Sometimes a movie comes along that not only hits you from nowhere but is so good you have to wonder why it isn’t up there with the classics.
For me, I first became aware of Assimilate through a YouTube trailer and thought it looked pretty good. This would be right up my street but little did I know how much. A little voice in the back of my head whispered that there was something familiar about it but I never gave it a second thought.
When I got the chance to watch it I was not only blown away but got reacquainted with a remake of an old friend. This isn’t going to be a review where you have to wait until the end to find out if I liked or not; I loved it!
Not only is it perfect in every department but delivers a shock ending right up there with the original Planet of the Apes.
Zach (Joel Courtney) and Randy (Calum Worthy) who live in the quiet town of Multon, Missouri and the boys intend to show the world that their town is not as dull as it seems by vlogging.
Unfortunately, things go sour as they find that their neighbours are not who they once were as silent spores drift from the sky and a new type of vermin seems to have infested the area biting people. Together with their friend Kayla (Andi Matichak), they discover the truth. People are being replaced by soulless copies. The race is on to save the world and everyone they love before Pastor Greg and his army convert the world too.
It wasn’t until part way through the movie did I realise that this was in fact a remake of Invasion of the Bodysnatchers.
Remaking a classic is a risky thing (Yes I’m talking about you Psycho, Dirty Dancing, Pet Semetary and Star Wars The Force Awakens.)
But when it is done right then you get Assimilate.
This movie is as effective as the original adding in the alien spider like creatures as a new slant. We still get shots of spores floating down from the heavens and some beautiful nods to the original and its remakes. But it is all spliced together with teenagers of today making it feel like it could happen now just as the original reflected its time.
As I said we have some beautiful nods to the original such as the little kid being dragged along the street by his mother and him crying out that she is not his mummy. This is a nice reflection on society today where if a child is seen in the street doing this most people will do something but here the residents of Multon ignore it, a clue to how many have been converted. The internet and all forms of communication to the outside world are gone. This reduces the movie to the original’s truly small town roots. The only option is to head to a communication station on the outskirts of town and upload Zch and Randy’s video proving their story is real. But hunted as the last of the humans in Multon, Zach and Kayla may not make it.
When Zach and Kayla pretend to be zombified to walk through the alien hordes is classic Bodysnatchers fear fest that was used to similar fashion in the Faculty. Also when Zach and Randy are locked in a barn with spiders and they witness Zach’s mother’s conversion is truly brilliant. As his wheelchair bound father walks, Zach then sees his mother murdered before him. There is no blood just screeching as the alien takes her memories to complete itself. Murlowski truly knows how to work the audience anticipation and makes the locked in the dark with a monster scenario fresh and new. Allowing a man to walk again is a miracle but the price is his soul; his love for his wife and son; everything that made them a family.
Anticipation of what is coming and the scares are beautifully crafted all through the movie from the discovery of Kayla’s dad mother in a bathroom cupboard to Kayla being held down to be converted.
Similarly when the alien Kayla and Zach’s naked selves come screaming like banshees to steal their memories is terrifying. Gone is the subtle pod conversion only method; now we have the silent invasion which then becomes a living breathing screaming nightmare. Making the hosts screaming maniacs here intensifies the scares because the residents of Multon are literally fighting themselves to keep their souls. Souls absorbed by mere touch is bad enough but when your evil mirror self is responsible for it then it takes horror to a whole new level. Worse still they then steal your clothes and throw you on a bonfire.
We see children being lined up by their parents to be infected so we can only imagine the terror these kids will experience in their dying moments when their new selves come to drain their minds. Losing yourself is bad enough but to stand by and watch your children being taken is chilling.
What all the Bodysnatchers movies share is showing us the conversion process and its aftermath to chill us to the bone. In previous versions we have had the human body being drained and crumbling to dust. You are brushed up in a dust pan then placed in a bin bag and dumped in the trash.
Assimilate makes it even scarier this time round.
This time you get bitten by the arachnid creatures that scurry away like rats. Biting the host gains them access to their DNA which allows them to copy their victims perfectly. In a nice twist these new ‘humans’ hunt their victim down to grab them by the head to absorb their memories. The host dies and the body burned. The person you were is gone replaced by another you with all your memories but with no idea of why you did anything. This is demonstrated when Zach and Kayla meet the alien Randy who recalls them fishing at a creek but never catching anything. Alien Randy cannot fathom the purpose to that. There is no purpose; it was kids being kids enjoying their summers. They are perfect in every way except for the lack of a soul.
The tragedy is the Randy we know and love is being burned on a bonfire in the town square which in itself is a horrifying scene. We know that every person, men, women and children converted end up here and seeing bones through the flames is something almost satanic. It is literally Hell on Earth. Everything that makes us unique and spices up our world is gone in these symbolic pyres.
But it is the ending that subverts all our expectations which I can’t give away as it wouldn’t be fair and kicks us in the balls. Pet Semetary could have used the touch of Murlowski and Palmer Peterson instead of the pile of shit we were given. Assimilate delivers horror that is familiar but with a subtle new spin that makes it make us step back once more and think.
There isn’t a wooden performance or shot that doesn’t mean something here. The whole story is crafted to rip out our souls by the end by which time we realise too late and to our cost, we have been watching Assimilate with the eyes of the original.
So the question is; is Assimilate going to have a space on Owen’s Blu Ray shelf? Is it rewatchable like the Thing and Halloween?
By Owen Quinn author of the Time Warriors and Zombie Blues
Video copyright Disney
Twelve new episodes, twelve new slices of the Star Wars universe in the building of a revolution.
As you know from the Time Warriors universe anything is possible. Time travel doesn’t exist in the Star Wars universe but that doesn’t mean you can’t go back and play with the timelines. Rogue One was a one off movie but now we are getting a brand new series based on Cassian Andor played by Diego Luna.
Yes everyone died in Rogue One but here we get to see how Cassian Andor became involved in the rebellion against the Empire. Now Disney have released a sneak peek trailer which has actually got me pretty excited.