TW remembers Roddy McDowall

By Owen Quinn author of the Time Warriors and Zombie Blues

Sometimes you get so caught up in the plethora of science fiction/fantasy stuff out there that we don’t realize that certain actors have become such a part of our culture and psyche that we never notice until something ticks it off in your head.

We’ve already put Peter Cushing on that list and Christopher Lee, but doing a recent article on the forgotten series the Fantastic Journey, I realized I had missed someone off that list. He shares that certain something with the others mentioned that no matter when he is on screen, you sit up and take notice. You get a nice feeling, secure that you’re going to watch a master at work, no matter how crap the production; his very presence lights it up, appealing to both young and old alike. Think of it as the front door test; if you opened your door and found Roddy standing there, would you smile inanely and welcome him in like he was an old friend or look at him like he was trying to sell you something? Roddy is definitely the former.

Born in London, England in 1928, he moved to America with his family to escape the Blitz. He is one of the few to make the successful transition from child star to adult star status in Hollywood. You name them and Roddy worked with them. In later years he used his passion for photography to showcase the wonderful people he had shared his career with. With his baby-faced features and beautiful voice, Roddy could play anything; as a villain, his innocent looks could deceive you but as a good guy, he really was the one to have on your side.

As Jonathan Willaway in The Fantastic Journey, the role could so easily have become a clone of Doctor Smith from Lost in Space but Jonathan made his initial villainy into a more friendlier persona. He was a genius with good instincts as long as the script allowed him to be but Roddy kept Jonathan on the right side of believablility. It was that face, be it a slight roll of his eyes or groan from that impeccable English accent, but you knew what he was thinking. Even when he was a child and starred in John Ford’s Oscar winning movie How Green Was My Valley ( a movie that makes me cry to this day) and Lassie Come Home with Elizabeth Taylor, those expressive features spoke volumes and acted the rest of them off the screen. This, along with his distinctive voice, made him one of the biggest child stars of his time and he maintained his friendship with Elizabeth for the rest of his life. Although he is still the most successful child to adult actor of his time, he did have problems finding work as he entered adulthood, returning to New York and again having a successful run in theatre on Broadway where he won a Tony Award for Supporting Actor. That’s when he made the move back into television and movies opposite his friend Elizabeth Taylor and Richard Burton in Cleopatra.

But his sci-fi genre credentials began when he appeared as the evil Bookworm in the Adam West Batman series which endeared a new generation of young fans. He would return to the Batman series in later years when he voiced in the Adventures of Batman and Robin along with other varied animation roles as the Mad Hatter. He added to his fanbase when a movie called Fright Night hit the theatres where he played Peter Vincent, the fearless vampire hunter who was anything but fearless. It remains to this day a cult classic and rightfully so. Other classics included The Martian Chronicles, The Poseidon Adventure, A Bug’s Life ( which was his final film role), Quantum leap (A Leap for Linda), the Twilight Zone, Wonder Woman, Fantasy Island, Buck Rogers in the 25th Century and many more.

But for us here at Time Warriors Roddy is the face of Planet of the Apes. His role of Cornelius would catapult him all around the world, gaining not only a massive new fanbase but a world of respect for working under such complex prosthetics. It was important to him that the audience see the emotion behind the monkey mask and he carefully worked out every aspect of Cornelius’ behaviour. Roddy was meticulous in his work ethic and it simply shines through in the Apes saga. He appeared in every one of the movies, in which he also played Cornelius’ son Caesar and continued the transition to the short-lived television series. He remained identified with the franchise right up to his death in 1998 something that delighted him no end. On YouTube you can look up his home movies with the ape masks which is a wonderful insight into the man and how much this meant to him. On the Carol Burnett Show he walked on stage in full Cornelius mask and scared the life out of Miss Burnett. He also recorded bookends to the television episodes as an aged Galen lending even more credence to the sadly short-lived series.

When an actor embraces a role to his or heart like that, then there’s something special about that person. It’s more than making money for them, it’s a chance to make a real contribution to not only the sci-fi genre but to the art of acting itself. If you can get an audience to fall in love with a man-sized chimpanzee then you are a master at your art. That is exactly what Roddy did. We still look at the original with absolute love and fondness and when remakes or retreads turn up, they get a more severe critic’s eye than most because the source material is held so dear. I can’t forget to mention that without Charlton Heston to bounce off in the movie, the Cornelius character may not have been so believable but McDowall and Heston remain one of the great unsung onscreen partnerships in cinema history.

In his last years he grew a reputation as a great photographer and published five books on the subject as well as his work. His portraits included Elizabeth Taylor, Judy Garland and Maureen O’Hara. But for fans all over the world he will always be part of the sci-fi community in a timeless legacy. And the minute he popped up as Sam’s hologram in Quantum Leap when changed history removed Al, part of me wished that history would not change back and Roddy would stay as the new sidekick. How great would that have been? Despite that, he will always be a part of our world because of all the wonderful stuff he did and even when the next Planet of the Apes movie comes out, his name will be the first one people think of. And if someone of my age is sitting there as the lights go down with a smile on my face, well, now you know the reason why; the man, the legend that was Roddy McDowall.

TW talk to Doctor Who’s Simon Fisher Becker

By Owen Quinn Author of the Time Warriors and Zombie Blues

Sometimes a character comes along that cements itself in ways that you never expected and immortalises the actor to fans’ hearts forever. For the new Doctor Who it is the character of Dorium, the large blue skinned alien first seen in Matt Smith’s debut season when River Song double crossed him. He returned in a Good Man Goes to War and lost his head; literally. But that didn’t stop him from coming back again as a head in a box. Now he is the face and voice behind the first question, the question that must never be answered… Doctor Who? Here he is, the man himself, talking exclusively to the the Time Warriors, Simon Fisher Becker

Copyright BBC

TW: Hi Simon, thanks for doing this for us. Can you tell us a bit about yourself?

SFB: Fat, 50 and full of fun….

TW: You run Murderetc.com. Can you tell us about that?

SFB: It’s a themed events company which started out as ‘Just Desserts.’ It’s mainly murder mystery dinner parties but also Jazz Nights, Songs from the Shows and Opera Nights. Private events. Clients buy entertainment.

TW: You also co founded the Tilt Yard Theatre Company, what is the aim of that?

SFB: This was a company formed when doing a one man show ‘Hamlet – Tragedy of a Fat Man’ by Paddy Gormley. It was intended to do other projects but other acting opportunities have come along. Since Doctor Who there has been more interest in HTFM – so there may be another outing – watch this space…

TW: What first attracted you to acting?

SFB: I first ‘trod the boards’ at school playing Mr Bumble in a production of Oliver!, this is when I caught the bug. Originally I wanted to be a music and biology teacher but life had other ideas for me. I fell into the civil service. After a number of years political thinking of the day was to thin the Civil Service out. Nothing really changed eh? A financial inducement was offered – today we call it redundancy. I used this money to do a post graduate drama course.

TW: Is directing another passion for you?

SFB: Directing is a fascinating aspect and I’ve enjoyed it when I’ve taken the plunge but I would not call it a passion.

TW: How did the role of Dorium come about?

SFB: A casting, I was one of seven roly polly actors interviewed. I have to thank casting director Andy Pryor for calling me in and Steven Moffat for choosing me. It was a single scene with Alex Kingston.

On being cast as Dorium: I was one of seven roly polly actors interviewed…

TW: Did you know he would be coming back in such a big way?

SFB: No – as much as I hoped Dorium would come back I had no idea what was in store. I have found out since that the director of The Pandorica Opens, Toby Haynes recommended me to Steven Moffat; so very grateful Toby. The response from Fans has been huge too which I think helped with the decision to bring Dorium back. Thank you Fans.

TW: We know he is a wheeler-dealer and owes the Doctor a debt. Did you make up a background for him to fill in the gaps?

SFB: Yes, I have a back story in my mind but I have been advised not to reveal it in case it becomes closer to the truth!

TW: Did you get to see the Tardis set?

SFB: Yes, Matt Smith (delightful chap) asked me on the set to read lines for him. Being a Doctor Who fan, I was open mouthed like a ten-year-old most of the time. When I saw the Blue Box too, I suddenly became quite emotional and found myself holding out my hand to touch it.

Photo copyright Owen Quinn

TW: It seems a fun set with Matt, Karen and Arthur. Was it?

SFB: With Dorium appearing in three episodes and a prequel, I definitely feel part of the family now. The entire unit is a delight to work with. Long hours, at times quite tiring but above all an extremely friendly and enjoyable atmosphere.

TW: Was the broadcast version of A Good Man Goes to War as good as you thought it would be? For me, personally, I thought it was the most perfect piece of drama of the year, regardless of the science fiction trappings.

SFB: There was sooooo much going on in the episode. Not seeing the Doctor for 12 minutes or so – very brave. And of course the Revelation – I had no idea, because we had a false ending at the read through.

TW: Did you ever expect he would make a return after his decapitation?

SFB: My friends kept on saying ‘this is Doctor Who, you have no idea what’s going to happen to any character’. There is the question of ‘Dorium’s Debt’ of course. So I did think there may be a back story – I had no idea about what really came along.

TW: Dorium seems to have fore knowledge of what lies in wait for the Doctor. Can we expect to see him return?

SFB: The Fans would love Dorium to return and naturally I do too… but it’s Steven Moffat’s decision.

Will we see Dorium again: The Fans would love Dorium to return – naturally I do too… but it’s Steven Moffat’s decision.

TW: You’ve also done some Big Finish work. As an actor what are the main differences in the various mediums. Do audio plays make it a more focused performance for example?

SFB: Rather surprisingly, I find audio work much more exhausting. You need to get your voice to reveal everything. Communication normally is only 5% verbal, body language and facial expressions are more important. So you find when recording audio you’ve got to get ‘everything’ into your voice. If the recordings were filmed you will see actors physically gyrating around the mic to get the effects they want.

TW: What projects are you currently working on?

SFB: I have just finished filming a webseries – 3some produced by City Entertainment. Another Doctor Who Actor – Annette Badland (Margaret Blaine the Slitheen) – plays my wife. not sure when it will be available yet. In March I’m filming a pilot for BBC called Puppy Love, written by Jo Scanlon and Vikki Pepperdine, who wrote Getting On with Jo Brand. I am playing Jo Scanlon’s character’s husband. I am putting together a panel show called My Dalek Has a Puncture – designed initially for Conventions, it’s an autobiographical panel telling the story of how I became Dorium. It follows the same format as usual panels but has Songs and Monologues as well as screen presentations. I really hope to take it on tour.

TW: Where can our readers find out more about you and your various projects?

SFB: My website: www.fisherbecker.info is always the best way to keep up to date with me.

FTN Interviews the Time Warriors author, Owen Quinn

The guys at Invasion Belfast Blogspot got the chance to interview The Time Warriors author Owen Quinn about his books, autographs and other things. It was so good, we had to bring it to you all…

Q: What was your inspiration for the ‘Time Warriors’ novels?

A:  The Time Warriors books began when I was sixteen and wrote a story for Doctor Who which then starred Colin Baker. It was titled Wail of the Banshee and I spent the whole summer writing it. Unfortunately I did it by hand which the production office returned with a nice letter saying they didn’t accept hand written scripts. So, being the arrogant 16-year-old I was, I said, ‘Screw you, I’m going to create my own heroes!’ So my starting point was who would protect the Earth if the Doctor had never existed?

I also took what I wanted to see on television and spun it all together into what was the beginnings of The Time Warriors. Time travel was a given as it opens up the canvas for stories, aliens on Earth, hidden agendas, monsters that speak eloquent evil and when i saw some of the crap that was being published and screened on TV I just thought I could do better than that. that may sound big-headed but believe me, it wasn’t. I also wondered why Irish people seemed so scarce in science fiction and why there were so few leading roles, so I set out to put the Irish back the global sci-fi map which led to the creation of Jacke, a black Irish girl, beautiful and tough with a secret. I don’t think there’s been a character like her before so that’s cool for me.

Q: Heroes and Legends Convention II is coming up next month, will you be attending as a guest again this year?

A: Not this time; I was due to launch the new Time Warriors book Venom at it but here has been a problem with the publishing and templates so it’s been stalled. It will be available by March which of course is too late.

Q: On a scale of 1-10, how big a Nerd/Geek would you say you are?

A: I actually hate the words Nerd and geek as when I was growing up they were terms that ensured bullying because it wasn’t normal to like this stuff ,whereas now every Tom, Dick and Harry is a science fiction fan. In my day, you were weird for liking Doctor Who but now you’re weird if you don’t. How times change! But if there was a scale for my love of science fiction then it’s a 20+.

Q: What was the first Sci-fi/Fantasy TV show or Movie you watched?

A: I would have to say Doctor Who as it is the one I have the clearest memory of. I heard the music and ran upstairs in terror and refused to come down until it was over. But we watched everything in our house from Blake’s 7, Star Trek and the Tomorrow People to Man from Atlantis.

Q: When did you know you wanted to be an author?

A: I suppose I have always written but in my teens I knew I wanted to write for Doctor Who and Star trek. But that’s a trap that many writers fall into; they want to write for a specific show. My lesson with Who gave me the kick to do my own thing, find your own style and create your own world. If it’s good enough then the rest will fall into place. It took me about fifteen years before I really took the bull by the horns and put it all out on paper.

Q: Are you an autograph hunter or do you just get the autographs when you have the chance?

A: A HUGE autograph hunter. I always have been. I write to everyone and if you get a reply fantastic, others I have met in person such as Nichelle Nichols from Star trek and Billy Dee Williams from The Empire Strikes Back.

Q: Who’s autograph would you like that you don’t already own?

A: William Hartnell, the first Doctor Who; I have all the other Doctors including Peter Cushing, the movie Doctor, and would love that one to complete the set.

Q: How many more Time Warriors novels will there be?

A: Good question, there will be six by the end of the year with work on the next four already underway. To be honest, the format is limitless. I hope to have a solid body of stuff, unlike Harry Potter or twilight which have defined endings. Mine doesn’t; literally anything can happen. There are twenty five stories published over the six volumes and there should be over 35 completed by the end of the year for publication next year. What slows me is that I do everything myself ; I have to edit, write, be my own critic; if I had a publishing house then the stories would be coming out faster as someone would be doing the editing for typos etc instead of me. Editing is such a time consuming task, you wouldn’t believe.

Q: How many conventions have you attended?

A: Too many to count. I travelled all over England and Ireland to attend conventions and have met some great people who have remained friends to this day. I have met stars that are no longer with us and have to say thank god for Heroes and Legends and Star Wars Invasion for bringing celebrities five minutes down the road rather than a long flight to England where there’s even more travel involved. And as long as I’m able I’ll be there when they happen. This year I may be making my debut across the border but it’s still to be confirmed. Having sat in my kitchen spinning the Time Warriors stories which no one knew about to being able to attend conventions because of them is pretty cool. But then sci-fi fans are cool.

Thank you to Owen for taking the time to do this interview, if you would like to buy his book or find out more about his novels go to Amazon here https://www.amazon.co.uk/Time-Warriors-Belbridge-Mystery/dp/B08KHGDZLK/ref=sr_1_1?dchild=1&keywords=the+belbridge+mystery&qid=1608264956&sr=8-1

TW remembers Evidence

By Owen Quinn author of the Time Warriors and Zombie Blues

Evidence (18)
Directed by: Howie Askins
Starring: Ryan McCoy, Brett Rosenberg and Abigail Richie
Running time: 78 min

Ryan is making a documentary on his friend, Brett, about camping for the first time. However, once they begin camping, they discover that there is a mysterious figure that is hunting them.

Copyright Ryan McCoy

Having spent a bit of time in hospital recently, I think a camping trip to the woods would do me the world of good and recharge my batteries. After watching Evidence, you can forget that.

Yet another entry into the hand held camera genre, I initially saw this trailer and thought it was a take on the Bigfoot legend. Some of the shots intrigued me but the trailer does not prepare you for what is to come.

Ryan, (Ryan McCoy who wrote this in real life) decides to do a documentary about his friend Brett (Brett Rosenberg) and his first camping trip. Taking along Abi (Abigail Richie) and Ashley (Ashley Bracken), they hear strange noises in the woods and meet a spooky man who wanders into their camp then out again in the middle of the night. However, on a hike they catch something on camera, something that couldn’t possibly exist. Now it is hunting them. When Brett then Ryan disappear, the two girls are left to fend for themselves as something in the dark wants them dead.

All I can say is I had to watch this twice, it was so good. I love a story which starts off one way then suddenly goes off in another direction. And for once the hand held camera viewpoint is completely justified.

My biggest gripe with the Blair Witch was the tent scene when on hearing the children playing outside it and laughing, the heroes run for it through the forest. All that scene needed was the camera to pan and show at least a glimpse of what they were seeing and it would have been an instant classic.

SPOILER: Here in Evidence you get exactly that. Something huge and shaggy rushing screaming from the dark to smash their camper van makes you think Bigfoot but, left alone, the girls find something even more terrifying. There is barely a word spoken for a while as Abi and Ashley run for their lives and end up in a complex of some sort where the residents are like escapees from the Crazies, impregnated people lie on beds, creatures scuttle out of the dark and four legged shaggy monsters track their every move. There is no explanation for what they are in, only one scene where someone says ‘I can’t believe they went through with it.’ But exactly what it is is left for you to decide through a brilliant end credit sequence. SPOILER ENDS

Evidence is smart, scary (given nothing scares me, my scare-o-meter is really hard to get on to), I nearly fell off my chair twice, I had to rewind things to confirm I hadn’t imagined what I’d just seen and just sat there mouth opened at the end screaming words I’m not allowed to type. This is such a good movie which has alerted me to a very horrible fact. Alongside Grave Encounters, Evidence is the second low budget, cheap DVD that has somehow fallen by the wayside of mainstream audiences. That scares me. This is now in my collection as a must see. If The Woman in Black is what people prefer then cast Radcliffe in a remake of this just to get it out there. And how dare you Cabin in the Woods sit smugly as the movie that redefined the horror genre when all you were was the retread of the Initiative storyline from the climax of Buffy season four. The crown for redefining horror has to go to Evidence. Get a copy people now and tell your friends. And a message to Ryan McCoy, kick in a few more doors and get this noticed man; you are a bloody genius.

Star Trek Discovery: Terra Firma

Copyright CBS

By Owen Quinn author of the Time Warriors and Zombie Blues

One thing I love is a What If? scenario. So Star Trek’s Mirror Universe is always and forever a firm favourite for me. Deep Space 9 did it best and Star Trek Discovery continues that tradition in absolute delicious style. Indeed Discovery has grabbed the concept by the throat and made it ripr than ever.

Terra firma parts one and two see Emperor Philippa Georgiou actress Michelle Yeoh who has not only crossed over from the other universe into ours but been transported 900 years into the future along with the rest of the crew. Yeou has delighted audiences with her fiery portrayal of a ruthless dictator whose only vulnerability is her love for ‘daughter’ Michael burnham played by the Walking Dead’s Sonequa Martin- Green. In the Mirror Universe Philippa lost her Michael. In our universe Michael caused her captain’s death when she disobeyed orders. In the battle with Control, Philippa teamed up with Section 31, the dark secret of the Federation to suit her own needs.

To save everyone the Discovery crew travelled 900 years into the future only to find a shattered Federation and an universe very different from what they assumed it would be. Philippa has been suffering convulsions and phasing. It turns out she is being ripped apart because she is out of time and space. Both universes have drifted apart and pulling hr with it. She will die unless they find a cure.

Travelling to a barren world with Michael in hopes of a cure they find a man in a bowler hat reading a newspaper beside a door; a door Philippa must walk through if she has any chance of surviving. To her surprise she finds herself back in the Mirror Universe where she grabs the chance to put right what went wrong. This time she is going to save Michael from death.

Terra Firma beautifully weaves not only Deep Space 9 and the JJ Abrams’ alternative Star Trek universe into the tale to great effect. Yeou gives the performance of a lifetime. Her experiences with the Discovery crew have changed her and this time she tries to set things right with not only Michael but Saru too. The scenes between the two are electric as she gives the Kelpien hope that his life as a slave and food is so much more. Treachery is the currency of the Mirror Universe and here it comes in abundance. The fight scenes are brillaint as Philippa tries to put right what once went wrong. But to say any more would be to spoil it for you. Th episode’s reveal of just who the man in the bowler hat is just blew me away and forever cemented this show as the Trek we all needed. As I said it weaves many Trek threads together and this one is fantastic and also adds to the overall story.

Just watch it and be ready for a what is probably the most satisfying two parter in trek history alongside the Picard showcase Chain of Command.

Stunning television that is not to be missed.

TW Remembers Jeremy Bulloch

By Owen Quinn author of the Time Warriors and Zombie Blues

Sadly the news has come through that actor Jeremy Bulloch has passed away.

He was someone I met several times and have great memories of. We had a great conversation in Dublin about his time on Doctor Who, working with William Hartnell and how he nearly became companion to the third Doctor, Jon Pertwee. He was massively generous with his time to fans of all ages. My prized possession is a signed replica of McQuarrie art signed by Jeremy featuring Boba Fett and the other bounty hunters. I met him in Dublin, Belfast and London and never came away with unpleasant memories. You’ll see a lot of tributes but none will have the video of Jeremy in Belfast playing drums with the cantina aliens. RIP sir. It was a pleasure.

Phantasmagoria Magazine #17 Now on sale

On sale now this bumper Christmas edition of Phantasmagoria Magazine is on sale now on Amazon and in Forbidden Planet Belfast. Packed with reviews, interviews and articles including my latest one How the Timeless Children Completely Screws Doctor Who. get your copy and support local talent by clicking here https://www.amazon.co.uk/s?k=trevor+kennedy+gruesome+grotesques&ref=nb_sb_noss

Complete your Christmas wish list with this hidden gem!

Heroes of Doctor Who: Steven Taylor

By Owen Quinn author of the Time Warriors and Zombie Blues

We once again look at the history of Doctor Who and the people that make the character who he is…

Photo copyright Owen Quinn

Now for me growing up, Peter Purves was part of the dream team from Blue Peter along with Shep, Lesley Judd and John Noakes.

Imagine my surprise and delight when I discovered through a new publication called Doctor Who Weekly that he had also travelled in the Tardis and battled Daleks. I was totally in awe that the guy from Blue Peter that showed me how to tie my shoelaces and build an advent crown was a friend of the Doctor’s.

Peter Purves has the distinction of any other companion of playing two different characters in the same story. He was a loud mouth American when the Tardis landed on the Empire State Building to avoid the Daleks (fan fiction would have a ball connecting this with Daleks in Manhattan) but later, when our heroes are captured and taken to the city of the Mechanoids (hoped to be the next big thing with the release of a toy), we discover Steven Taylor, a pilot from the future, the robots’ prisoner.

It isn’t long before the Daleks arrive and a major battle that levels the Mechanoid city allows them all to escape. Thinking Steven died in the inferno, the Doctor and Vicki are surprised to find him injured but alive on the Tardis. Helping him recover, he quickly filled the role of action hero and the Doctor’s right hand man that had previously been filled by Ian.

Steven had no desire to return home for reasons unexplained and took to life aboard the Tardis like a duck to water. He, along with Vicki, was the first companion to meet another of the Doctor’s species. Neither was his loyalty to the Doctor blind. Indeed it was quite frictional between them at times.

In the massive story the Dalek Masterplan, Steven was the first to endure the unthinkable; the death of a companion, or in this case two. Both Sara and Katarina sacrificed themselves to save the Doctor as he fought to prevent a galaxy-wide invasion by the Daleks and their alien alliances including Mavic Chen. Steven was devastated at their loss and maybe inside his grief made him blame the Doctor a little, a quiet resentment that festered. Maybe Steven’s new home was more important than he let on and losing his loved ones brought back memories he had never shared. He was furious the Doctor allowed Vicki to stay behind at Troy and, at the end of the Massacre, he was so livid at the Doctor’s decision to let Anne Chaplet die in Paris rather than bring her aboard the Tardis, that he actually left, determined to never return. However, he collides with Dodo Chaplet who literally stumbled into the Tardis forcing the Doctor to lift off with them both. This lack of continuity was explained in a future BBC novel but Steven was so sure she was a descendant of Anne he became a big brother to her.

He was the first companion where a real live elephant featured in a story called the Ark with the Beatle hair-styled Monoids. In the Celestial Toymaker, a story with missing episodes, William Hartnell was written out of a couple of episodes by being turned invisible, leaving Steven and Dodo to carry the story on their own as they beat every sick game the Toymaker threw at them. But in the end Steven, maybe still hurt by the Anne situation or still stinging from Sara and Katarina’s deaths, decided to stay to become leader of a society in a story called the Savages. It was a bittersweet departure as the producers wanted hipper companions so decided to clear out Steven and Dodo but more on her in another feature.

The fact that Peter went onto bigger things as one of the most sought after television presenters, installed him in the nation’s heart and he is still a strong feature on TV today. His Tardis team has also frequented both the Missing Adventures range of books and the BBC past Doctor’s range, recalling a mostly forgotten period of the show due to the number of missing episodes.

Although he never returned to acting, he made an exception when Big Finish asked him to reprise the role in their audio range. He has done several companion chronicles that have truly deepened and expanded his character. He has done several DVD commentaries and extras recalling his time on the show which has been honest and from the heart. He was real friends with William Hartnell and admired him greatly.

He has even teamed up with Jean Marsh’s character, Sara Kingdom, in what many regard as simply the best original companion pieces ever. When you think about it that is some accomplishment; to endear a character that has never been mentioned in the programme since to a whole new generation of fans that weren’t even born when he travelled in our favourite police box. Steven had one of the most traumatic times with the Doctor, steeped in death even more than any other companion and for that he should be commended in the halls of Who history.

TW remembers Amazing Spider-man 1977

By Owen Quinn author of the Time Warriors and Zombie Blues

copyright Owen Quinn

While the Incredible Hulk was enjoying great ratings and success, an attempt was made to bring Spider-man to the small screen as a live-action series. This was a brave move because technology could only do so much in those days; there was none of your CGI enjoyed by Toby Maguire, Andrew Garfield and Tom Hol,land.

Between 1977 and 1979 there were two seasons which, between them, consisted of thirteen episodes, including television movies like the last episode the Chinese Web, a two-hour special. Over the course of the episodes, Spiderman never fought any of his iconic enemies. The closest he got was an evil clone of himself and the telekinetic Mandak in the Curse of Rava. It was the lack of supervillains that brought heavy fan criticism, who also disliked changes to the comic book storylines and a reluctance from the network CBS to be known as the superhero network meant the show didn’t get the support it needed, despite solid ratings.

It probably also didn’t help that Spider-man creator Stan Lee disliked the show and was very vocal about it despite the fact he had a credit as a script consultant. The show was far from a failure and was cancelled at the behest of the CBS executives who cancelled Spider-man and Wonder Woman at the same time. The Incredible Hulk survived due to being so well loved by a broad range of audiences.

They did a great run at keeping Spidey’s powers as close as possible to the comics eg his spider sense and spider tracers which were a fan favourite. Even the webbing looked quite good but it was hard to disguise the fact he was swinging on a rope between buildings or ledges just like a stuntman but what could you do? It remained the only live action Spider-man until the movies.

What a difference the years make; there was superhero shows storming the ratings in the late 70s and the networks were frightened of being labelled like some sort of geek channel Now they are scrambling over themselves for the latest superhero property. Rumours abounded that they were going to amalgamate the cast of the Incredible Hulk and Spiderman for a new show. As I told you in my Hulk article, the Hulk made several TV movies that brought in other Marvel characters such as Thor and Daredevil. Spider-man and She Hulk were due to feature next but it never came to pass.

Did you know that the Spider-man comics were read by 84 million people back then? That is astounding, so putting time and effort into a top notch Spider-man show would have been brilliant but again we have to remember that technology was against the makers back then. There really was only so much you could do especially when the abilities that Spidey had in the comics – the aerial acrobatics – would be difficult, not to mention dangerous, above the streets of New York.

Nicholas Hammond, a child star most famous for being one of the Von Trapps in the Sound of Music, became the first face of Peter Parker. Although he seemed slightly older than the teenage Peter in the comics, he did manage that same life hates me attitude especially when he came up against newspaper boss J. Jonah Jameson played by David White in the pilot, then Robert F Smith in the series. However no other characters from the comic books appeared. This was fine for the Hulk, but the supporting cast of the Spider-man comics were vital to the entire structure of the Spidey-verse. This, and the pretty standard storylines, did the show no favours and 13 episodes over three years isn’t a great thing. It’s little wonder the webslinger fell by the wayside; the victim of stigma rather than popularity and ratings.For this young fan though it was truly amazing!

TW remembers The Incredible Hulk: Prometheus

By Owen Quinn author of the Time Warriors and Zombie Blues

Despite the success of Mark Ruffalo as Banner and the Hulk in this year’s Avengers movie, for many there has always been and always will be only one face for Bruce Banner and his green rage filled alter ego, the Hulk.

In the seventies, amid a whirl of bionics, Hardy Boys, Spider-man and Wonder Woman twirls, came the idea for an Incredible Hulk television series. Kenneth Johnson, responsible for the success of the bionic duo at the time, wrote the pilot which aired in November 1977 and oversaw the series using the same qualities he brought to all his shows and his greatest weapon was to humanize the characters. How else would we fall in love with a raging green giant monster?

None of your jolly green giants ramming sweetcorn down your throat here. The role of Doctor David Banner (no Bruce, his comic name here) was taken by Bill Bixby, a well loved actor who had just finished his role as the Magician.

The only choice for the role, Bixby gave the perfect portrayal of Banner as a dedicated scientist devoted to his wife as much as his work and desperate to prove his theories as to why human strength increased in times of great stress, something he failed to gain when his wife was killed in a car crash. Everyone knows the story which leaves Banner, believed to be dead by everyone bar a determined reporter, Jack McGee (played by Jack Colvin), travels alone in search of a cure to his affliction.

McGee would plague Banner, desperate to prove to the world who the Hulk is and gain him the greatest story ever. He knew no bounds to get what he wanted but on occasion even Jack had to admit, the Hulk was one of the good guys. The trademark green eyes just as Banner transforms is still burned into the public consciousness to this day. It was homaged even in the new movies, the Hulk and the Incredible Hulk both of which featured cameos from big green himself, bodybuilder, Lou Ferrigno.

Ferrigno was actually second choice to play the Hulk. For the first week it had been played by Richard Kiel, Jaws of James Bond fame. Kiel had the height but not the bulk while Lou had the bulk but not the height but that’s what camera angles are all about.

Another interesting fact was that the famous Hulk growl was provided by Ted Cassidy, Lurch from the Addam’s family and who played Bigfoot in the bionic battles. He also provided the opening narration which was kept when he died, aged 46, before the series aired.

Now, the series ran for 82 episodes over five seasons from 1978 -1982, yet never had any other superhero elements until the later TV movies alongside Thor and Daredevil. Instead, Banner would help people from evil landlords, drug dealers and criminals with entries into sci-fi territory a rarity. One episode the First saw Banner meet another man who had become a Hulk years previous, leading to a Hulk fist fest in the climax. To be honest the other Hulk looked like something out of Carry On Screaming making it laughable to today’s audiences but to this young fan it was amazing. The other episode two parter entitled Prometheus.  This classic saw Banner trapped in mid-transformation with only a blind girl to help him. Dogged reporter Jack McGee was closing in. McGee, you see, believes the Hulk to be a murderer and that Banner is still alive. He would go to any lengths to prove it, including in this case, screwing with a hostile secret military establishment. Despite the lack of sci-fi fantasy elements, the Hulk is highly regarded as a classic and, for many, the definitive version.

In the two-part story Prometheus the stakes have never been higher for Banner as he is stuck between transformations after being exposed to a meteorite that is giving off vast amounts of gamma radiation. The military are tracking e meteor as they believe it is actually a UFO. We begin when David rescues a blind lady, Kathleen (guest star Laurie Prange), from drowning in the wilderness where she lives alone, having lost her sight only seven months previously. They form a strong friendship before a meteor smashes into the forest. Investigating alone, David is exposed to the radiation and, when attacked by bees, transforms into the Hulk who is then also exposed when he touches the meteor. However, unknown to both of them, the military are on their way to retrieve the meteor and they have Jack McGee tagging along.

Finding his way back to Kathleen’s house, David reverts back to human form. Almost. He finds himself stuck in mid change with the aggressive rage of the Hulk and unable to speak properly. He cannot remember the name for a meteor calling it a ‘rock from the sky’ and things get worse when the soldiers arrive to evacuate Kathleen, leaving David trapped and alone. This scene is electrifying on so many levels, evoking the comic strips and allowing Bixby to be the opposite of his usual calm, collected David.

His slips into rage before reining himself back in are edge-of-your-seat stuff. David has become an almost semi-sentient caveman, struggling with words as his very intelligence has also been affected by the locked transformation. His voice is deepened and he becomes a shadow of his former self. The dialogue is wonderful as Bixby retains the green skin and slightly muscled body along with those iconic green ‘the Hulk is coming’ eyes. Every fanboy and girl wet themselves when those iconic green eyes stayed on screen for as long as they did. You know this is Kenneth Johnson writing – and also directing in this case – because he goes for epic every time, Here not only does the Hulk fling trees like matchsticks but takes on a trio of helicopters in the first episode’s climax, preceding the movies by years.

The military have a huge red metal dome hanging from the bottom of one of the helicopters to airlift the meteor but instead use it as a Hulk trap. They think he is an alien and their theories that the meteor was piloted seemingly are indeed correct. This really is comic strip stuff as the Hulk and the helpless Kathleen are hoisted into the air, stuck in the dome which the Hulk cannot break.

Transported to an underground lab designed for alien containment, experts on aliens are called in to see his new discovery with Jack McGee still in tow. The Seven Million Dollar Man himself, Monte Markham, is the complex’s chief, who traps the Hulk in a holding field made of microwave particles.

This complex is the titular Prometheus, a place created for the day alien contact was made and where it could be contained in the event of hostilities. Slipping in undercover, McGee is able to access deep into the complex where he finds the very monster he has been searching for. However, attempts to communicate end up with an enraged Hulk smashing through the floor, when exposed to a piece of meteor, and escaping.

McGee takes Kathleen but she refuses to betray David to his nemesis. The Hulk manages to rescue her from his clutches and evade the complex personnel. For once, Magee shows he isn’t all bad when he stops the all out assault on Banner and tries to persuade him to come peacefully to try and cure him. But the military do learn two things; never fire tranquilizer darts at a half-formed Hulk or hurt his friends. In a final rage filled smash up, the Hulk manages to cause a massive explosion which destroys Prometheus in truly spectacular fashion allowing him and Kathleen to escape. Free from the gamma filled meteor, David is able to revert to his human form once again. Kathleen gains the confidence to return to the city and David takes to the road once more to the tune of those solitary piano keys that can bring a tear from a stone. Any wonder this show was a runaway success?


Sometimes the best ideas come from the simplest of questions and this epic came from a very simple one. What if people thought the Hulk was an alien? And this is epic as only Kenneth Johnson could do it. He brought a hurricane down on the bionic heroes and here uses the elements of the Hulk mythos to great effect. The huge dome he is trapped in, the caveman mid-transformation, unable to break through microwave shields but can rip a floor up, toss a tree and bring a chopper down with one flick of his muscles.

This stands as a great example of sci-fi superhero TV that has lasted the test of time. Everything from the green radiation Hulk eyes to the lonely piano theme that broke our hearts week after week to the fact that the Hulk always morphed into pants that fitted. In the last years, when Hulk returned for the made-for-television movies we saw the introduction of Thor, Daredevil and the Kingpin.

The attempt was already being made for the Marvel universe to interact with itself and the Hulk television series did it first. I for one have no doubt a certain Mister Whedon had Bixby and Ferrigno in his mind when he was writing the script for the Avengers…