TW watches The X-Files Pilot Episode S01E01

By Owen Quinn author of the Time Warriors and Zombie Blues

I can count literally on one hand how many shows that have grabbed me right away and kept me viewing until the very end. From, Odyssey 5, Enterprise, The Walking Dead are just a few. But all these years later, I can still remember where I was when a little show was shown on Sky called The X-Files.

Little did we know what a phenomenon that was about to unfold and in a way it was very much an exclusive club until it went global in season two.

All I knew was that this was about aliens and UFOs. Don’t come near me with all that UAP shit; they are UFOs and that’s that.

The first that grabbed me was the eerie music and the series logo broken by a light while the rest is in darkness. It makes the viewer slightly uncertain evoking the feeling not to go into the haunted house. A young girl runs through a forest pursued by a massive light. A wind storms up causing a tornado of dead leaves to form as the light increases and she vanishes. As a teaser, it is simplistic and effective and certainly got me asking what the hell was that?

We learn that we are in a National Forest Park in Oregon and police have discovered the girl’s dead body. It is clear that something is going on from the veiled dialogue between the officers and coroner. Identified as Karen Swenson, it is clear that they are not at all surprised.

Then we get to see Agent Dana Scully, a medical doctor that is now being assigned to work with Spooky Fox Mulder and to debunk his work, The X-Files.

Their first meeting in his basement office is quoted word for word by fans when Mulder answers her knock on the door with, “Sorry, nobody down here but the FBI’s most unwanted.’ It is clear that Mulder is fully aware of why she is here but respects her work on The Einstein Twin Paradox. Anyone that can rewrite Einstein is someone you want on your side.

He uses her medical knowledge to show her dead bodies which all were abducted but has an unknown element in the autopsy. All have distinct puncture marks on their bodies. Right here is the crux of the series . Where Mulder sees something unusual and potentially extra-terrestrial, Scully is, as she says, logical. To her, there is no mystery here from beyond the veil. The answers are there, you just need to know where to look for them. One believes while the other does not.

We get it all here as they experience lost time as their car goes haywire and later on it happens again and they lose time.

But Scully’s logic is about to be tested to the full to the point we get our first glimpse of her almost giving in to Mulder’s beliefs. The local coroner is furious at the insinuation that he missed something in the other autopsies but it is clear he knows more than he admits. But when they exhume a body, Scully is horrified to fins that it isn’t human at all. Mulder is convinced it is the rotting corpse of an alien given its large eyes among other things but Scully deduces that what they have is the body of an ape of some kind; an ape that ha a metal device lodged in its cavity. Scully is strong enough to call Mulder out but he is persistent and she follows it through.

We are very much in the middle of a town that is keeping secrets. The question is why are they so ready to cover up the deaths of their kids.

Mulder and Scully have their first clash when after witnessing a wheelchair bound girl Peggy O’Dell reading to a comatose bey called Billy Miles. Billy has been in a waking coma for four years and Peggy seems disturbed as if taking orders from Billy to read to him and stay close. Peggy takes a fit during which Mulder shows Scully Peggy has the same puncture wounds as the previous victims. Scully sees a medical mystery but cannot believe they have been rising around in spaceships. Scully is seeing her beliefs challenged as she cannot explain how these kids were found miles from home and one died of exposure on a warm night.

We also get our first torches in the woods scene which would become part of the lore. What Chris Carter does very well is double bluff the viewer. In the woods, Scully is separated from Mulder and a huge light rears up behind her just like the opening scene . But this time it is a vehicle. Similarly when Scully finds the same puncture marks on her, she panics until Mulder reveals they are just mosquito bites.

While Scully is having her perceptions challenged to the point they may well be dealing with a satanic cult, she still believes that the answers to this are rooted somehow in science. But she gets to see the man behind the Spooky label when Mulder opens up to her about his sister’s abduction, how his success as a profiler allowed him to open up the X Files. he warns her that his work is being blocked from a higher power. His claim that the government knows all about it suddenly becomes real when their motel is torched destroying all of their evidence to date. The exhumed body has coldly destroy her work will take her out too.

When the wheelchair bound Peggy is killed running out in front of a car, the coroner’s daughter, Teresa Neman begs them for help as she is going to die too. It is clear to Scully the town is conspiring against them but the questions stack up higher than the answers. And as a viewer you are right there along side our agents desperate to solve this mystery and save a girl’s life.

The chemistry between Mulder and Scully is seamless. When Mulder thinks that Billy Miles is the real killer, Scully reveals that Peggy’s watch stopped at nine and the whole thing makes crazy sense to her. Part of the appeal of Scully is the fact she is grounded in logic and science and this madman Mulder has shown her that there may be more to existence than she thought. It is Scully that comes to revelation that Billy really is the one that brought the others to be experimented on by someone or something. But as Mulder reminds her, she must believe in what she thinks as she is the one that has to wrote it in a report for those trying to debunk The X-Files. Her reputation will be in question if she does.

We also get the trend that would go on for years of Scully just missing the big event. She sees the light that comes for Teresa but perhaps because of the presence of Mulder and Billy’s sheriff father, Teresa is saved and a walking Billy is awake and talking.

We finish with Billy telling how a higher power made him take the others so the aliens could perform experiments on them but the test failed and they wanted all the evidence destroyed. back before the men that assigned her to The X-Files, Scully plays devil’s advocate but gives them the device that was placed in the corpse’s nasal cavity. Wherever this journey will take her, she is now on board, not only because she now believes that Mulder is right but because this is a chance for her to break a whole new side of science to ground these strange events. she has seen too much to deny something is going on and perhaps she feels that Mulder needs someone to keep him on the path so the powers that be do not destroy him and keep whatever secret they have from the public.

Credit must go to composer Mark Snow for his evocative, haunting music which brings to mind the best of John Carpenter like The Fog and Halloween. It is creepy and evocative totally cementing the atmosphere of now just this first episode but the entire series.

As the weeks went on Scully would be challenged on so many levels over the paranormal but who knew that it would lead to ten seasons then a further three down the line Is it any wonder myself and millions like me were hooked on a show that made us believe the truth was really out there.

Oh and remember, always be wary of the Smoking Man in the corner of the room.

Writing Tips: Research, Research, Research

By Owen Quinn author

If you’re have an idea for a historical adventure or going to do an autobiography on some celebrity then the one thing you must do is research. Fact checking in multiple sources is important especially when writing someone’s life story. That celebrity may have many fans and they will be the first ones to kick off if you write something in error about their hero. That is why so many people love a good nitpick at other’s work.

Look at movies; I love those guys that scrutinise and pick out the continuity errors and bloopers. But they also love to correct facts about events that have happened. You must treat your story in exactly the same way. A story/book is a product you want to sell to people; you want them to go away as fans of your work because they will return for more. Now nobody is perfect and there are some typos that get past even the best of editors which sometimes actually add to the value of the book. But you want to avoid that after all, you wouldn’t sell someone a faulty kettle.

Now research can cover so much. Everything that has happened before today is historical therefore can be detailed and studied on the net.

Let’s take one of mine. Summer’s End is part of The Time Warriors: Book 3 Red Water.

That adventure is set at the time of ancient Celts who celebrated Halloween which was known then as Samhain. I could have thrown caution to the wind and made everything up but I like to have an authenticity to these types of stories especially since the arachnid villains the Mentara were to play a huge part in it. Indeed the more I looked at that period it became clear very quickly that an alien species fitted right in with the beliefs of the Celts.

As you know the veils between the land of the living and the land of the dead drops at Samhain allowing the spirits of those who have passed to return to the Earth for one solitary night. I wanted druids to be involved guarding a secret and give you a taste of life back then. While I got what I wanted about Celtic life and beliefs, I found out so much more that enhanced elements of the story no end.

I discovered that people with white hair were honoured among the Celts and welcomed, which gave me a way in with Varran. I discovered that bonfires were fuelled by animal carcasses to disguise the scent of humans from demons that came across when the veil fell. Those demons allowed me to enter the Mentara seamlessly to the story through their portal. And I discovered a very special shield kept the walls between this world and the next securely apart I made it part of the druid’s secret history. All of these accidental discoveries makes Summer’s End one of my favourites to this day and hopefully one of yours.

Now I included how Celts dressed, the layout of their villages and dietary needs of that era. These are small yet vital details to help the reader visualise in their heads what you are writing about. Your job as a story teller is to paint your story vividly in readers’ heads with your words so small details are vital. You want them to smell, taste and see what you see in your head.

Now, while research is a great thing, you have to tell your story as if you haven’t looked up a thing. There is a great temptation to add in everything you’ve learned thinking it will add a lot to the story.

But it doesn’t.

All that does is show the reader you’ve been researching. It throws them out of the story when you info dump history. Use the small details like clothing, diet, habits of the time, buildings and slang of that era. Make it fit your story; make the characters breathe whatever era you’re writing about. Now you don’t need me to tell you that if you’re going to Victorian London, Mary Poppins will sing in your head but try to avoid that. Doctor Who did a running joke with that when Rose trying to “speak” Scottish, Donna, Roman and Graham being all renaissance when he met Shelley and Byron with the 13th Doctor. Of course they had the Tardis translator as everyone in a Pompeii market place spoke cockney and think Donna was speaking Welsh in the season four episode The Fires of Pompeii.

It is fun and was done to great effect in shows like Hercules and Xena, Warrior Princess. They spoke just like we did. This helps the audience identify with the story and characters and helps drive away all the at “Forsooth” and “thee” forced dialogues that we thought they spoke at the time. There’s no problem having a quick look and sprinkling your dialogue so there is a taste of the period but you want the reader to sail through the story without tripping up on forced dialogue. Think Horrible Histories meets any historic Doctor Who episode.

Even with my second book The Time Warriors The Voalox Horror, I went to Victorian London and avoided the Dick Van Dyke element but referenced it. There are some things that are traditional if you do a story set in that era. The pea soup fog is a must, nearly being run over by a horse drawn carriage, prostitutes with big dreams being murdered in alleyways and backstreets and muffins. Again, this one is another favourite of mine. Who can resist the ghost of Jack The Ripper?

Again there’s no harm in that as it is kind of a tradition and like a gangster story there are certain tropes the audience expects. The trick is tempering that expectation by pulling back the elements that make that era to near background status. They are there but never overshadow the main story.

I suppose like religion, research has its good points and bad points. What you must do is temper the temptation to dazzle the reader with how much you’ve learned about whatever era you’re in. The reader won’t be dazzled, they will bogged down with unnecessary trivia. So take a step back from what you learn and utilise the parts that will add to your characters and story rather than be a travel guide to ancient Egypt.

Knowledge is power but the use of that knowledge defines not only the success of your story but how it hooks the readers. Besides, all that information may come in handy one day when you’re on Who Wants To Be A Millionaire.

TW Watches Stargate Atlantis: Before I Sleep

By Owen Quinn author of the Time Warriors and Zombie Blues

Photos copyright MGM

You know how you get up each day secure in the knowledge we know where we’ve been and how our memories are intact of everything we’ve done.

Well, not if you happen to live on Atlantis in the Stargate Universe.

Now I love Stargate Atlantis and it was show that should have gone much longer but seemed to plagued by behind the scenes issues.

In the season one story Before I Sleep, a woman is found in one of the abandoned labs in Atlantis. She is old and while Carson is against reviving her in case it kills her or release a contagion, Rodney and Shepherd manage to persuade Weir to wake the mysterious woman up. If she is an Ancient she could tell them all about Atlantis and it’s true capability.

But when she wakes it turns out that she is in fact an elderly Elizabeth Weir who has been in stasis for over ten thousand years.

So begins a tale that avoids the parallel universe thread to be a moving tale of second chances. It highlights Toru Higginson’s base commander Elizabeth Weir in a way that is rarely seen in drama. We have seen many shows where they meet their doubles whether it be clones or roots or opposites from another universe but here we have two Weir’s that began in the same timeline but split off multiverse style in a clever way.

In the pilot episode when the Earth team came through the Stargate to Atlantis, a power surge was triggered which resulted in the city rising to the surface from its watery resting place. But that isn’t what happened at all. This Elizabeth watched everyone die when the city’s power failed and flooded instead.

As this was a one way trip, the Atlantis expedition was doomed in their very first moments. The fail safe never kicked in to float the city. Rodney doesn’t take it well that he drowned and his bouncing off the other characters is a great part of the show bringing a level of levity to an otherwise tragic story.

Shepherd, Weir and Dr Zelenka managed to get to a puddle jumper that held a time travel function. In orbit they are attacked by Wraith darts causing the ship to crash. Weir wakes up but finds she is on Atlantis being treated by an Ancient called Janus but the others are dead. Janus tells her she has come back 10,00 years in time but not into a good one. The Ancients are embroiled in a savage war with the Wraith. despite the power of Atlantis, the sheer number of Wraith is winning war because they are relentless.

It is interesting to see a Wraith war because in her time they were awakened prematurely which is the only thing giving the humans the advantage. Weir sees an opportunity to save the mission and together she and Janus go to the council to ask for a ZPM and be returned to the exact point the team arrived on Atlantis and use the ZPM to prevent catastrophe from ever happening. To her disappointment they refuse telling her she will be evacuated to earth along with the rest. Atlantis will be sunk so the Wraith cannot get to it and use it to their advantage.

But Janus has other ideas and places Weir in the stasis pod. But she will awaken every 3,300 years to turn the ZPMs so they will trigger the failsafe. Rodney reveals that her pod was bringing her back when the expedition arrived but they turned it off because they thought it was just another power surge in all the chaos.

Weir knew that she would age and it was a one way ticket but it showed just how far she would go for her team. Some had doubted placing her in command rather than someone military like Colonel Carter. She always had faith that Atlantis would be vital to their understanding of the universe and this was her chance to set things right. her relationship with Janus is beautifully played; a powerful Ancient who sees a bright future for Atlantis in a mere human but one whose intellect almost equaled the Ancients but like Janus always strive for more. It is a theme that has come from the start if the Stargate franchise as to whether humanity was worthy of following in the footsteps of the Ancients amid all the other races.

They were as Jack O’Neill and his team proved time and again but since this is a whole bigger backyard, this is the Atlantis teams affirmation that they are the ones to explore the Pegasus galaxy even if thy did accidentally awaken a race of vampires.

But this is Elizabeth’s story confirming her as the true leader of the expedition cut off from home and truly all on their own. It is also a nice alternate history story that makes perfect sense within the show’s confines. Any unspoken self doubt that Weir might have had are now also laid to rest. Seeing her own bravery and fears that the doubters were right are gone as Weir sits with her older self. Older |weir gives her a farewell gift, the Stargate addresses to other Ancient sites where they can get ZPMs to help them make contact with Earth again.

The episode ends with the older Weir finally dying and her ashes being scattered over Atlantis that she made such a sacrifice for.

This is a great episode that explores self doubts and double guessing your own decisions especially in the face of public opinion. She knows now just how bad the Wraith threat would be if they are allowed to swell once again but now the team head into the future with a renewed sense of hope in themselves.

Book Excerpt: The Time Warriors: The Wolves of Chernobyl & Other Stories

All copyright and property of Owen Quinn

Trapped in the creature’s flesh nipping grip, the Xereban winced and turned his head in disgust as some of the wolfman’s drool dangled close to his lips. He could feel the hair on his flesh, short and bristly like a clothes brush.

“I can feel you tremble though your faux visage remains passive. You have a look in your eyes of an innocent lamb seeing the jaws of the predator for the inevitable first and final time.”

The wolfman let out a low growl as it narrowed its eyes in intense curiosity examining its prey. Varran noted how beautiful the mixed colours in his pupils were reminding him of the Mertillian Nebula five thousand light years away from his dead homeworld of Xereba.

“If you’d be so kind, what’s a Xereban please?” Varran asked innocently his voice steady.

The white haired wolf glared at him for a second then growled louder putting its lupine snout closer to Varran’s. Are those human tear ducts, he thought given the wolfman’s face was at such close range. Humans are the only species on the Earth that shed tears he knew. Varran wondered if the wolfman ever stared in the mirror and was moved to tears by the intangible shadow of the human he could no longer see? Did he howl at all at the moon in frustration as he watched the rest of the world continue onwards in train track routine and normality? Were the nightmares of a wolfman those of a 9 to 5 human’s gratitude to the universe for a good day?

“Just because I look like an animal,” growled the creature, “do not for one moment think that my intellect is on par with a mule. The one and only thing keeping you alive is your brain right now. Now, move, you have work to do.”

The Problem With Commander Shelby. Maybe Ask Section 31?

By Owen Quinn author

I love The Best Of Both Worlds, Star Trek The Next Generation’s season three finale. It is simply stunning with a cliffhanger that still thrills to this day.

Quick refresh: the cybernetic species from the Delta Quadrant, The Borg, we met in the episode Q Who? are back to assimilate The Federation. They kidnap Picard to speak for them to prepare the human race for their upcoming assimilation. They convert him into Locutus of Borg, a bridge between species. The first episode ends on a dazzling cliffhanger where Riker must kill Picard to save everyone.

“Mister Worf. Fire!” are words that have gone down in television history before the screen goes black and we have to wait for the new series to see what happens next.

The second half is weaker due to several things, the least of which is the mysterious disappearing of Locutus’ personal forcefield that prevented Word from rescuing his captain in the first episode.

But all these years, every time I watch it I have a problem with it. it doesn’t take away my enjoyment of it but when a certain character goes into Riker’s face, I feel like shouting out “Who the hell are you strolling in here and slabbering?”

How the hell is Commander Shelby an expert on the Borg?

Commander Shelby played by Elizabeth Dennehy is brought in to assist the crew of the Enterprise as an expert in the Borg. But she is determined to take Riker’s place as the first officer of the Enterprise and will do whatever it takes to ensure Riker is removed. So how exactly is she decreed a Borg expert by Admiral Hansen and Starfleet itself?

It makes no sense at all. The Enterprise crew are the only ones who have fought and survived the Borg; albeit with Q’s help. Riker, Word and Data were up close and personal with the Borg on the cube. Guinan’s people fled the Borg, being scattered all over the galaxy. So are we, as an audience, expected to believe that Shelby, just by studying the Enterprise logs was able to unravel the secrets of the Federation’s newest and most deadly enemies? Yeah it makes no sense whatsoever of course unless…Shelby is in fact part of Section 31.

Here’s a theory on how to plug this massive plothole.

In Enterprise, Captain Archer and crew are sent after a revived set of Borg from the wreckage of the Borg sphere that went back in First Contact to stop Zephram Cochrane’s warp test flight which attracts the Vulcans setting in motion the Federation. At the end of that movie, the Borg sphere was destroyed in a massive explosion but as we now find wreckage fell to Earth in the Artic.

Now the Borg leave behind a lot of evidence of their existence which given the Federation has 200 years before The Best of Both Worlds Happens, gives them plenty of time to study and understand Borg technology. Malcolm Reid gives Doctor Phlox a Borg arm to study to discover the yield of the weapon. Dr Phlox studies the nano-probes that these cyborgs use to transform other species to be like them. Such is his results, he comes up with a way to destroy them with large doses of omicron radiation. He is aware of the hive mind and knows that a signal was sent to the Delta Quadrant telling others of its kind where Earth was. Archer believes they have delayed the invasion until the 24th century which is true.

Add to that we have the information the crew gathered on the adaptive shields, the fact they have a phaser frequency that did stop the invaders all be it momentarily. The Doctor also has the scans of the altered Tarkaleans they rescued.

Add to that Archer reveals to T’Pol that Zephram Cochrane told of the real story behind First Contact that a race of cyborgs from the future came back to stop his historic flight and how a band of human, also from the future, defeated them. He was not believed and he later retracted the story. As a side note, perhaps the Vulcans were right about humanity after all. If they can openly ridicule their greatest hero then they don’t deserve to be out among new species.

The appearance of this strange race clearly confirms that Cochrane was telling the truth so you’d think that Starfleet would recognise the threat and go over the wreckage in the Arctic with a fine toothcomb. They have two hundred years to prepare so they have all they need to do that for the next encounter. Among the wreckage would be a Borg black box with full future knowledge of what lies ahead.

So what happened that all of this was seemingly forgotten until Picard and co face the cube in the Delta Quadrant?

Section 31.

They were created to deal with threats to Starfleet and later the Federation and remove them quietly. So maybe they did indeed find the black box and accessed it seeing what happens in the future. Could it be that they would have to silence their own in order to protect the timeline?

It is reasonable to assume Section 31 worked quietly and efficiently to remove all traces of Borg from not only the Arctic but from the Enterprise logs. We know it was done with the Discovery so why not the Borg?

Archer and his crew would be long dead by the time the first Borg encounter happens. And we know that the organisation has the silent backing of Starfleet admirals and above in order to do their job.

It may be they had no idea how to reverse engineer the Borg’s technology and Doctor Phlox’s omicron treatment would kill more people than save them. The good doctor almost died and took a long time to recover. This would also explain how Borg survivors like Icheb, Seven of Nine and Hugh were hunted down for their Borg components. Since Borg technology was so impossible to replicate then it would make sense to simply steal it.

Remember that it was Seven’s ocular implant that allowed a future Harry Kim to send coordinates back in time to prevent Voyager crashing into an icy tomb in Timeless. The holographic Doctor could not save Seven due to one of her implants that was beyond him. It took Kes’ massively boosted telepathic abilities to save her life by dissolving the element. Borg tech is highly unpredictable as seen when the holographic Doctor’s mobile emitter emerges with Borg nano probes and create a Borg with 29th century technology. Not even Section 31 are that dumb. if anything Borg tech is something that really should be left alone. So what if the only option was to wait and keep the secret until Q got involved? Then Shelby was recruited and shown the secret.

She had her own ambitions anyway and perhaps saw this as the way to gain that first officer’s chair. Her only contributions were drawing attention to the power drop in the Borg cube when the Enterprise destroyed their tractor beam emitters. The other was when attacked getting data to rotate the phase settings so the Borg couldn’t get a grip on the ship. Outside of that, her expertise is sadly lacking. The only thing she does is ignore Riker’s orders and go to Picard to tell him her plan for the saucer section. But did she do that to ensure the timeline stayed intact? Does her heartless and over the top rudeness come from the fact she has seen what is at stake and is simply carrying out orders to save the day while taking care of her own ambitions?

It would certainly explain why the Federation was ignorant of the Borg threat when it should have been more than ready. Section 31 may have met their match in the cyborgs so could only manipulate Shelby to ensure things stayed the same as they saw in the black box. Remember that any and all defences that Admiral Janeway had came from the Delta Quadrant itself and from multiple encounters with the Borg Queen and her minions.

Just a thought…

Dublin Horror New Guest Announcement

We are delighted to welcome the larger than life Derek Mears to Dublin Horror Con as our third guest!

Best known for playing #JasonVoorhees in the 2009 reboot of Friday the 13th, you also know Derek Mears from The Hills Have Eyes 2, Alita: Battle Angel, Predators, and he played the title character in Swamp Thing

Tickets will be on sale soon!

Be sure to follow @dublinhorrorcon for the latest news!

#dublincomiccon#comicconireland#dublinhorrorcon

TW Releases Concept Art for Wolves of Chernobyl & Other Stories

By and copyright of Owen Quinn. Thanks to Stephen Mooney

2025 sees the release of the latest book in the Time Warriors series, Wolves of Chernobyl & Other Stories. With Wolves of Chernobyl being the 40th story in ten books, it is a milestone to say the least. Owen Quinn has released some concept art of a couple of the strange and terrifying inhabitants of the city that time forgot. Free from the excesses of man, Chernobyl will never be habitable for thousands of years yet so as Mother Nature takes it all back and more species return to the area, Varran, Michael and Jacke face a deadly threat in the ghost town of Chernobyl.

Concept art by Stephen Mooney

New Image released From The Time Warriors: Lighthouse At The End of the World

By and copyright of Owen Quinn. Thanks to Stephen Mooney

Lighthouse At The End of the World is the final story in the new Time Warriors book Wolves of Chernobyl & Other Stories coming soon by Belfast author Owen Quinn.

It sees Varran faced with a request from an old friend to help him die. The issue of assisted suicide is very relevant right now and it certainly wasn’t the angle Owen decided to take when he came up with the idea. Like all good sci-fi stories, it takes a social issue and puts it under the microscope. Owen is the first to admit, he would have no idea what to do if he was asked to do something like this.

How Varran resolves it will only be found when you get your copy of Wolves of Chernobyl & Other Stories on release soon from Amazon.

Forgotten Heroes: Space 1999’s Maya

By Owen Quinn author of the Time Warriors and Zombie Blues

Copyright Gerry Anderson

I was recently made aware of just how many movies and television shows the younger generation have never heard of, never mind seen. So to that end, we look back at some characters you really need to see before you kick the bucket.

Apart from Deep Space 9’s Odo, there has always been a much more exciting and enticing shapeshifter for me. No disrespect to the late René Auberjonois but she is also much more pretty to look at.

In the second season of Space 1999, the revamp included the introduction of a resident alien to ramp up the sci fi factor. Maya was to be a regular on the show ala Spock on Star Trek. Played by Catherine Schell, Maya was introduced in the first episode the Metamorph. Her father, Mentor (Brian Blessed) was ruler of their dying world Psychon, who had a secret he kept from everyone. He would lure travellers down to the surface or kidnap them and feed their minds to the biological machine, Psyche. This kept Psychon stable but the unwilling victims were left husks, zombies that toiled in the mines digging out the metals necessary to maintain the machine below the city far away from prying eyes.

When Moonbase Alpha is in dire need of Titanium, they locate it on Psychon, a seemingly lifeless planet but the survey Eagle is captured. Commander John Koenig (Martin Landau) finds himself facing Mentor who seems so inviting and welcoming. To get his people back they agree to meet in space. But it’s a trap and they find themselves in line to be fed to Pysche.

Maya was taught the power of molecular transformation by Mentor and the first creature we see her as is a lion. In the space of the first episode we see change into a dog, a dove and gorilla. When her father’s evil deeds are exposed and Psychon is destroyed, Maya is forced to leave the exploding Psychon to make a new life with the Alphans.

Her advanced knowledge and skills make her a vital part of the crew and she assumes the role of base science officer. Maya also quickly becomes romantically involved with Koenig’s right hand man and security chief Tony Verdeschi (Tony Anholt). As the last of her kind, Maya is delighted when they discover there is another from her species alive and well, Dorzak. Maya remembers him as a poet and philosopher but he is now being held as prisoner by an alien race. They offered Dorzak sanctuary but he used his mental powers to turn a peaceful people into murderous savages under his control. Dorzak is a psychopath the defeat of whom leaves Maya feeling more isolated than ever before.

This is an aspect of the character that is barely touched upon in the second season. What does it mean to be the last of one’s species? What are the implications if she breeds with Tony? Would her half human offspring be able to learn the power of transformation? In the classic Bringers Of Wonder, an expedition party from Earth arrives consisting of friends and family ready to take them all back to Earth. Maya feels uncomfortable meeting them as it is suddenly real that she will have to live her life on Earth. At least on Alpha she has the chance of finding other of her species and maybe a home that closely resembles Psychon. She loves Tony and she is equally loved by the rest of the Moonbase personnel. But her feline features are a constant reminder that she is different. However there may be another reason for that. In the Rules of Luton, she reveals to Koenig that she has a brother and that when they learned Psychon was dying, he and a thousand others headed off into space to find a new home.

While on Alpha there is the chance she could find them but not if she were to go back to Earth. As the Dorcons believe Maya is the last one, the other Psychons may well be hidden or far enough away to escape the Dorcon threat. If the Alphans did find them, would Maya stay with them or Tony? So much untapped potential for future stories.

While Maya can turn into any creature she can see, her shape shifting ability was always a highlight of an episode to see what she becomes in that particular story. While we see her as Earth animals or other people, she becomes a variety of aliens that can hurt and maim. In the episode Space Warp. she has a dangerous fever which leaves her powers running wild. She becomes her father and is driven to go home to Psychon. This shows the dangerous side to her ability as she becomes bigger and more powerful creatures to get home. One looks like a cross between a bull and a gorilla and it takes a lot to bring her down. She is a liability to herself in this shape as she can kill herself quite easily.

Indeed not all changes are pleasant as she discovers in Bringers of Wonder when she changes into one of protoplasmic aliens trying to kill them all. In All That Glisters, Maya assumes the rock life form and is almost absorbed by it when it locks her into its form as she tried to change back to escape its grip. We also get to see the playful side of Maya when Tony, who is desperately trying to brew great tasting beer gets her to taste his latest sample. She turns into Doctor Jekyll to show what she thinks of it.

As the last Psychon, Maya has a target on her back. The Taybor wants her for his collection while the biggest danger comes from the Dorcons. Mentor may have had good reason to hide below the surface of Psychon. When the Dorcons locate Maya aboard Alpha they cripple the base demanding they hand Maya over to them. She is terrified of them knowing what is coming and despite their assurances she tells them they cannot stand against them. She begs her friends to kill her to spare her the fate the Dorcons intend for her. The Dorcons are the most powerful of species with shape shifting spaceships who have hunted Psychons for centuries. The only force they cannot control is death and by surgically removing a Psychon’s brain stem, they can. The Dorcon’s brain stems stop functioning at a certain age but by replacing it with a Psychon’s they will live forever. In this case it is for their leader played by the second Doctor Who Patrick Troughton. Of course, John Koenig finds a way to save her helped in no small part by the Dorcon’s internal squabbling ,meaning they will die naturally with no more Psychons to feed on. They are also the only species that can prevent Maya changing form.

While we know she and Tony love each other, in New Adam and New Eve, God or an alien scientist claiming to be God kidnaps Maya, Tony, John and Helena Russell in order to repopulate a new world. There he decrees that John and Maya mate to create the perfect beings encompassing the best of both of them while Helena and Tony will equally comply. But his petri dish is smashed freeing them all.

Now it would appear, unlike Odo whose every component is made from his liquid goo, Maya is able to affect her clothes and any object she is touching too. When Tony is attacked by a mind controlled Alphan, Maya changes into a Kendo warrior and her pen becomes a stick to defend herself with. Like the 70s Bruce Banner whose eyes turn white when he is about to Hulk out, similarly we see the creature Maya is about to change into reflected in her eyes. Together with a sound effect it was an effective tool to signify shit was about to go down.

Maya will forever be a sci fi character that lives on in the minds of fans. Indeed I still have my Space 1999 annual which features her in comic strip adventures. Why does it seem to be that shortsighted television executives cut down so many good shows just as they are taking off? Now the likes of Maya are in the land of ‘what could have been’ and can only be enjoyed on Blu-ray and streaming.

TW watches The Orville: Identity Pt 1 S02E08

By Owen Quinn author of the Time Warriors and Zombie Blues

For a show hyped as a comedy Star Trek clone, The Orville quickly became a show packed with quality scripts focusing on social commentary. But it could also deliver epic space battles and drama in way reminiscent of the war seasons of Deep Space 9.

At first the show looked like a copy of Star Trek but without the transporters to save the day. It had the token Klingon-like officer, the robot trying to understand humanity and a super strong female alien security officer to add to the alien presence. We had the pilot becoming chief engineer just like Geordi La Forge did on the Enterprise. We know as an audience that we would learn more about each character as we go but never did we expect the plot twist in the two-part Identity. Such was the shock of it all, that the Orville universe would be changed forever.

Isaac is not a formal member of the Orville but an emissary for his species, the Kaylons. He has been sent by his people to study organics to see if the Kaylons will enter The Union as fully fledged members. Isaac has formed close associations with the crew especially with Doctor Claire Finn (Penny Johnson Jerald from Deep Space 9) and her sons Ty and Marcus. The boys have come to see him as a father figure and Claire has romantic feelings for him despite his lack of understanding of emotions.

They announce their relationship to the boys at the start of the episode but Isaac short circuits and collapses. The only way to save him is to return him to his homeworld Kaylon and deliver him to his people if he has any chance of survival. Ty and Marcus keep vigil over him with Ty telling the inert robot that he wants him to come back, marry his mom and become his father.

Photos copyright Fox

No Union ship has been to Kaylon. It is a totally robotic society closed to everyone and the visuals as the Orville flies amid its towering cities is impressive. Even the soundtrack is epic here conveying an ominous air as they arrive at Kaylon, far from home and all alone. Kaylon technology is far superior to anything the Union has. Without a word, the ship is scanned and landing co-ordinates are given.

Handing over Isaac’s body, the crew can only wait. It is somewhat unnerving to see a species with all the same face and same red eyes. Humans react best when they can look into the eyes of the person they are talking to and judge their inner thoughts by their expression. The Kaylons call to mind all the classic movie robots like C-3PO. Isaac has provided a certain comedy element in the series such as learning abut practical jokes with helmsman Gordon Malloy. Isaac sedates a sleeping Malloy and amputates his leg as a joke totally misunderstanding the concept of practical jokes. he is liked and trusted by all of them.

The superior attitude of the Kaylons grates with the crew especially when they tell them Isaac will be reintegrated to their society having fulfilled his function as Emissary. Claire is furious that he is discarding them so quickly especially her boys. He breaks the news to them and they take it badly.

The Kaylons are still analysing the data Isaac has gathered and their addition to the Union is far from certain. They tell Captain Mercer that it is not in their best interests to join the Union due to a violent history including history. They see Malloy’s practical jokes as abuse towards Isaac cancelling Mercer’s argument that that that sort of behaviour is long past. But little do we know that this is just a cover for a more deadly plan.

They even throw a party for Isaac and Ty gives him a drawing he has done of them as a family which the robot drops on purpose in a corridor. But security chief Talla and Bortus have detected some sort of factory making something en masse.

Young Ty, having found the discarded drawing, goes after Isaac launching a search for him. Bortus, Doctor Finn and Talla find him in an underground chamber which kicks the story into gear.

In the cavern are thousands of skeletons of a biological race. The planet is covered in these mass graves. The visuals for this are both horrific and creepy as we realise that discovering the Kaylon secret forces the robots to show their true hand.

Isaac’s mission was not to assess organics for admission to the Union but to assess the threat they pose to the Kaylon. The mass graves are the race that built them that the Kaylon exterminated in a slave rebellion. They distrust organics because their builders abused them. This is why they are so focused on Isaac’s “abuse” and human history of violence and slavery.

The Kaylons have been assessing the rest of the Union for mass extermination and after that will be the non-Union societies like the Krill. The construction they observed was in fact a fleet of orb-like ships to carry out this massacre. The Orville crew are restrained as the Kaylon invade their ship intending to use it as a Trojan horse to gain entry to Earth then destroy it from orbit.

And just when you think things can’t get any worse, the Kaylon reveal a hidden feature. Their heads split open to form weapons which can kill or stun. This image makes them unique and terrifying. Orville takes our expectations and turns them on their heads, literally in this case. Now the simple looking robots are almost demon like in appearance and a clear and present danger. They are strong, cannot be intimidated and go by a simple binary logic; kill of be killed. There are no other choices because of their limited code. They cannot conceive any other options because they have no imagination or gut instincts.

The gathering of the crew and civilians into cargo bays is reminiscent of the Star trek Voyager two parter and season cliffhanger ‘Basics’. In that story, Voyager is commandeered by the Kazon and Cardassian traitor Seska who leave the Voyager crew stranded on a primitive planet to die.

As they launch the Orville, we see their fleet of Kaylon ships rise and swarm behind the captured ship. The shots of the ships rising from the planet surface and their simple design is frightening. Their Ferris Wheel look is simplistic but effective given we have seen what the Kaylon are capable of. Trapped and helpless, the crew can only watch as they are flown to be witness to the mass extermination of everything they know. Even Isaac no longer responds to Claire’s anger as his fellow robots use his knowledge to secure the Orville.

Epic is an overused word these days but Orville can confidently claim this title, for not only this episode and the second part, but for the final shot of the entire Kaylon fleet rising into space with the helpless Orville leading the way.

Every show aims for a cliffhanger on par with Star Trek The Next Generation’s ‘The Best of Both Worlds’ or Star Trek Enterprise’s ‘Aati Prime’. Seth McFarlane comes close with ‘Identity’. Our expectations are subverted and I can imagine many thinking they know where this story is going; until the stool is kicked from under them. The job of any writer is to take the norms and turn the dial up to eleven; to surprise and make the audience sit up and take notice.

We have a great shift in a beloved character’s motivations and a deadly plot revealed that threatens allies and enemies alike. At one point, the Kaylon joining the Union would be a great advantage against the Krill bit now that is irrelevant. All species face the same enemy in a doomsday situation. The token annoying kid label that began with Wesley Crusher works perfectly here as Ty’s reaction to losing Isaac is genuine and heartfelt.

Of course this leads to the other moral ambiguity of having children from a sperm bank and raising them without a father. Then again, if Isaac had not been seen as such then the Kaylon plot would never have been exposed. The Union and everyone else would have died as the Kaylon burned the surface of Earth from space, never knowing why.

But if you want a ‘how the hell do they get out of this?‘ story then ‘Identity’ Part 1 is for you. Stunning.