By and photos copyright Owen Quinn























Space is no longer the final frontier. The Darkness is coming and only the Time Warriors stand between it and Earth. Grab your copies today on Amazon!
By and photos copyright Owen Quinn























By and photos copyright Owen Quinn author
One of the best things about Dublin Comic Con is their sets. These guys do not get enough credit for their imagination and hard work in bringing movies and television shows to life. This year’s Summer Edition 2024 brought together the cast of Starship Troopers which also saw the debut of the life size Arachnid that killed thousands of soldiers in the movies.
If you haven’t seen it yet get down to the Convention Centre and see it for yourself. I have to say The Arachnid is stunning. We also have to mention Shauna who built the back walls. The Arachnid stands as a prime example of the devotion of the people at Dublin Comic Con have to bring you an experience you’ll never forget. I know I certainly won’t. Just brilliant.





By and photos copyright of Owen Quinn author
Now I have like many others been a life long fan of the Gremlins so this year at Dublin Comic Con Summer 2024, I was delighted to see a new set where the Gremlins ruled. made by the lads from Dublin Comic Con, you had the chance to stand and have a drink with some classic characters while you could have a popcorn with Great and others at another table. But be beware, lurking just out of sight was the Flasher gremlin, trench coat open to the world!
These guys at Comic Con don’t get enough credit for the work they do and the Gremlin set is one of the best they have done simply because it calls to the kid in all of us and for a moment you can be part of the movie face to face with the Gremlins! I even got the chance to read part of The Time Warriors: The Voalox Horror book to them. Brilliant job folks!










By and photos copyeight of Owen Quinn author
This year’s summer edition of Dublin Comic Con saw again a ton of great cosplayers, some old, some new. The effort these people put into their costumes is phenomenal. You never know who or what you are going to meet. This year I was delighted to see Art The Terrifier, the silent killer clown with the persistent smile of a shark. Additionally we had the mad trio of the Killer Klowns from Outer Space. Both evoked great memories and I had to get a photo with them.




By and photos copyright of Owen Quinn author
Once upon a time there was only Boba Fett but now we have an entire legion of Mandalorians gracing our screens and figure collections. And more power to them. At Dublin Comic Con Summer 2024 there were quite a few walking about entertaining the crowds.







By Owen Quinn author

Photo copyright BBC
Everybody say hello to the Whoniverse’s newest team; the cast of The War Between The Land And The Sea. Or should we say, almost the new cast. Absent is the brilliant Freema Agyeman as Martha jones and reportedly Gwen Cooper, herself Eve Myles. Kate Stewart is back as is scientific advisor Shirley Anne Bingham. I have to admit I was hoping Morris would be back played by the legendary Lenny Rush. Russell Tovey is no stranger to the show as he appeared in Voyage of the Damned and Journey’s End. Gugu played of course Martha’s sister Tish but is this Tish fighting alongside her sister? Alexander Devrient plays Colonel Ibrahim recently alongside Kate Stewart while Colin McFarlane has been in both Doctor Who and Torchwood: Children of Earth. He is back as the same character from Torchwood. These guys will face the Sea Devils in the upcoming five parter. I for one cannot wait.
Pictured left to right Jemma Redgrave, Ruth Madeley, Russell Tovey, Gugu Mbatha-Raw, Alexander Devrient and Colin MacFarlane
By Owen Quinn author
After a long delay Gary Dauberman’s adaption of the Stephen King vampire classic is hitting the small screen in October. Production has been fraught and was due to hit cinemas a couple of years ago until it was pulled. With a run time of two hours rumour has it character development is lacking. Let’s face it, Salem’s Lot is a story that needs a mini series or a split movie like It.
Now everyone knows I loved the book and original Tobe Hooper mini series. It terrified me then and just seeing the new images from the 2024 version has unnerved and excited me. I am so glad they kept the vampire kid Glick scratching at the window but at 55 years young, I swear I am under my quilt and plugging my ears having seen the new photos.
This new version stars Alfre Woodard, Lewis Pullman, Mackenzie Leigh, Spencer Treat Clark, Bill Camp and John Benjamin Hickey to name but a few. It hits HBO Max in October. Enjoy the photos and fingers crossed we get terrified once more.









By Owen Quinn author

Photos copyright 20th Century Fox
I was recently made aware of just how many movies and television shows the younger generation have never heard of, never mind seen. So to that end, we look back at some characters you really need to see before you kick the bucket.
They say the most dangerous enemy is the one you aren’t even aware exists but is literally close enough to you to snap your neck under the notion they are simply following oders. Ash from the first Alien movie certainly qualifies as such.
At first glance, the by the book science officer of the Nostromo who seems to have an unemotional relationship with the rest of the crew but was in fact a synthetic under orders for the Company. And he has no problem murdering the crew to ensure those orders are carried out as per order 937 which was for the science officer’s eyes only.
Before his secret is revealed, the Nostromo encounter the alien ship where Kane (War Doctor John Hurt) is attacked by a facehugger in the alien egg field. Ripley (Sigourney Weaver) refuses to let him back on board as per protocol. With an alien contamination, she has to put the remaining crew and the ship first. However Ash overrules her and lets the infected crew member back on board. Ripley is furious putting them in direct conflict. She does not trust Ash at all.
But as we know an alien bursts from Kane’s chest and cinema history was made reaching to this very day. Ash’s behaviour strikes Ripley as odd and when she learns of order 937, Ash’s secret is revealed. Ripley uses the main computer, Mother, and finds the Company gave and Ash specific orders; to ensure the alien is brought back to Earth at all costs even if it means the crew dies in the process. Ash sneaks up on her and the true horror is revealed.
Ridley Scott’s direction is magnificent as Ash locks them both in the computer chamber. He stands impassive cloaked in gloom as Ripley tells him to let her out. Without a moment’s hesitation he begins throwing her around the room, smashing her off the walls until she lies semiconscious. His strength alone should have alerted the audience but when Ripley lands a punch, she causes him to bleed.
But this blood is white as milk as it trickles from the side of his temple.

In a way, it echoes Ripley’s earlier horror when the face hugger bled acid. Ash was, as far as she or the crew knew, human. Helpless, Ash stands over Ripley’s prone body. Screwing up his face, he rolls a magazine up tightly into a tube. The ferocity he does this with speaks volumes. If he were human he would be psychopathic but at this point he is something else altogether. Could it be he is also alien? The audience is unsure but they are about to find out in a spectacularly horrifying way.
Holding the tube over Ripley’s mouth to suffocate her. Some claim that it is a sexual act given it is a pornogrsphic magazine used given he could easily snap her neck instead. But it is a graphic attack and almost devoid of emotion bar murderous intent. Luckily the remaining crew burst in and overpower him. However he throws them back trying to plunge his hand into Harper’s (Yaphet Kotto) chest. In the tussle he breaks free and smashes Ash over the head with a fire extinguisher. Instead of smashing in a skull with blood and brains, the head breaks off revealing the robot spewing sickly white fluid. It is gross and add in the almost demonic unearthly squeals with the mad flailing is more alien than the alien itself.
Astounded they have been with a robot all this time, Ripley secures the head so they can reactivate it and get some answers. Ash with white spew gurgling disgustingly from his mouth reveals the company wants the creature and it cannot be killed. It is the perfect organism and he admires it for its purity. To him, it is unclouded by conscience, remorse or delusions of reality. He can’t discuss their chances of survival but they have his sympathies. He is being deliberately sarcastic here and in a way he sees something of himself in the alien. Ash has no conscience or morality. He would willingly kill everyone on board to achieve his purpose just as the alien would use every man, woman and child to populate their species. They are as ruthlessly single minded as he is.
Is it any wonder Ripley was so scared and suspicious of Bishop in the sequel given she almost died at a synthetic’s hands? Ian Holm is perfect as Ash and gives a performance as dark and double edged making his reveal as a synthetic revolting to watch. At the time I always thought Ash was using the magazine and was going to vomit directly into the tube so Ripley ould choke to death and drown in his fluids. But I was wrong as he was just suffocating her. But look at it again and watch his body language. Like Ash himself the scene deserves another look.
By Owen Quinn author of the Time Warriors and Zombie Blues

I’vr seen a lot of hype telling everyone that this is the best Alien movie since the James Cameron Aliens. I’ve also seen claims that you need to see this movie before someone spoils the shocking ending. Let me tell you that it is not the best Alien movie and it is certainly not a shock ending. The only shock is that you paid money to see it. They’re just ploys to get you to part with your cash before everyone tells you it is rubbish. Wait for Netflix.
Now, starting off I felt a lot of hope. From the opening scenes it is very much set in the Alien universe as the Weyland corporation continues to expand. I felt like Ripley or some familiar face was going to walk round a corner any moment despite it being set 20 years after the original movie. We see the wreck of the Nostromo being scoured by Weyland. Weyland as we know are bad people and here we see them working generation after generation to death on the mining colony of Jackson’s Star. When a miner such as lead character Rain Carradine and adoptive brother Andy who seems to be autistic, have worked long enough to qualify for transfer and freedom to the colony Yvaga 3. the company changes the rules trapping them in another contract. The people here die form lung diseases and all in the name of Weyland.
Andy we discover is in fact a damaged synthetic programmed by Rain’s father to keep her safe after he died. He has a tendency to do terrible dad jokes but Rain is protective of him. Initial rumblings about this was that it was going to be a teenagers in space versus xenomorphs but thankfully that is not the case.
We do have a selection of young people who are all trapped into working there but Tyler, his pregnant sister Kay, cousin Bjorn, and Bjorn’s girlfriend Navarro are all faceless and one dimensional. They might as well have bullseyes on their chests. Only Rain and Andy have a depth to them that is reminiscent of Sarah Connor and the Terminator in Genisys.
They have detected a ship in orbit that seems to have been abandoned. it contains stasis pods that will allow them all to escape and go to Yvaga. But they have to move fast as the ship is heading towards the rings of the planet and in 36 hours it will be destroyed.
So far so good but it all heads down hill from here. They discover it is not a ship but a research station where Weyland have been keeping something nasty that is ready to pop. Don’t get me wrong. There are moments which we haven’t seen before except maybe in the comic strips but as usual they have been seen in the trailer spoiling the surprise.
The scene where the facehuggers swim under water to hunt their prey is unnerving and those shots of them being launched out of the water are freaky. We have all been in the sea or a lake where we think something has brushed against our legs beneath the surface. So tapping into a collective fear works. Seeing the facehuggers work in unison to force open doors and spill en masse into a corridor is terrifying but we saw it in the trailer. We discover that you can walk through a room full of facehuggers without alerting them which is new. Navarro (Aileen Wu) is the first victim of the facehuggers and I knew that would happen. I also knew Kay’s pregnancy would be an important plot point down the line. Seeing Navarro’s chest explode via a portable X ray was unnerving. Rain and Andy floating in a sea of acid blood was well done. Poor Bjorn’s acid death is also something new and horrible. Overall the movie is beautifully shot and totally wants to respect what has come before. But respect does not mean shoehorning in references just to please fans. More on that later.
Without question it is the appearance of a synthetic ripped in half ala Bishop at the end of Aliens and in Alien 3. For a moment you hope it is another Bishop but it is much better than that. The young people hook the remains of the synthetic up so they can find out what is going on here and what they are up against. This synthetic calls himself Rook but he wears the face of murderous Ash from the original.

Ian Holm is back as the monster synthetic thanks to CGI and he is as villainous as his first appearance as the company directive takes priority over the lives of anyone that gets in the way. They switch Andy’s control chip with the synthetics ridding him of his former child personality and making him the tool of Rook for a time.
We learn we are watching a direct sequel to the original movie. The body of the xenomorph Ripley blew out the airlock was found and brought to this station for research. To this end Rook has decided to make humans the ultimate lifeform by using and upgrading the black goo from Prometheus. He is keen for the fluid to be kept safe which he entrusts Andy with and is very keen for any of them to inject themselves under the pretence that their wounds would heal and beat the aliens. Rain’s instincts are correct and stops Kay from taking it. This station is filled with aliens but due to Bjorn’s actions they are on an accelerated collision course with the rings.
In the original movie I cared for the characters and mourned each death but here I don’t and I cannot pinpoint why. Is it enough that they are trying to escape a tyrannical company working them to death reason to connect? No, Rain and Andy are the ones we empathise with for sure.
You can see the references but to rehash a reference twice is dumb. The photo of Ripley face to face with the alien from Alien 3 has been done in Alien Vs Predator requiem with the waitress. So why repeat it? Even the first Alien vs Predator is referenced as Rook hails his fluid as the cure the terminally ill Weyland always wanted. Another stupid decision was to have Andy utter the iconic Aliens line, “Get away from her you bitch!”
It is delivered in a fashion that is so flat that I’m sure Sigourney Weaver herself shook her head in disappointment safe in the knowledge she will always own those words. It was great to hear the pulse rifles again though in a weak echo of the Ripley and Hicks scene where he tries to teach her how to use it. And this is what I mean about being shoehorning stuff in. Who are you satisfying? Your film maker instincts or fans? Isn’t the task of a film maker to not only satisfy old fans but being in a new generation?
Again the station smashing into the rings is beautiful especially as Rook is evil right up to the end.
But just when we think it’s over you know rightly that it isn’t because pregnant Kay took the injection so you know we are going to now visit shades of The Fly dream sequence.
Now we get Rook’s idea of the perfect human as Kay gives birth to a human hybrid that is part the Prometheus engineers and part xenomorph. Cue Alien Resurrection meets Covenant as rain must battle the creature before she and the others die. Kay is killed and we get Rain having to eject the creature out onto the rings killing it. She and Andy are now free to get into the stasis pods and travel to Yvaga for a new life.
Aline Romulus is a greatest hits gone wrong after such a good start that sucks you into that universe as surely as seeing the Falcon does for Star Wars. There are some good ideas but they are not executed properly. The “return” of Ash as the bad guy is inspired because all you think of is Ripley and her crew. However that is to the new cast’s detriment as they don’t match up to those icons. You knew so much about the originals from a simple dinner table scene and their interactions than you do about these kids. The connection just is not there. All we know about Bjorn is that a synthetic closed a mine killing his mother to explain his hostility towards Andy which comes across as over done and flat. No one is going to empathise with him when he literally treats a person with special needs like that, synthetic or not. Deaths seem far too quick to happen with. little tension. It is almost as if they kill them off so Andy can get a stasis pod for the trip to Yvaga because he wasn’t going to allowed to go with them at first.
Alien Romulus feels like Picard season 2; taking elements that should blow fans off the screen yet diluting them in a noncohesive story that ultimately fails as a fan fest of the most brilliant parts of the franchise. All in all too many easter eggs to please the fans when they would have been better breaking barriers to deliver the definitive alien movie.
By Owen Quinn author of the Time Warriors and Zombie Blues

Photos copyright Paramount Pictures
I was recently made aware of just how many movies and television shows the younger generation have never heard of, never mind seen. So to that end, we look back at some characters you really need to see before you kick the bucket.
In the recent Star Trek Strange New Worlds episode the Squall, pirates take over the Enterprise using Spock as a hostage. They want Spock’s betrothed, T’Pring, to hand over a patient from the rehab facility, the Ankeshtan K’Til Vulcan Criminal Rehabilitation Center. T’Pring is a healer bringing Vulcans who have strayed back to the ways of logic. The pirates want a particular patient, Xaverius. Their plan is foiled and all is well until Christine Chapel asks Spock who Xaverius is. The Vulcan in question is part of the V’tosh ka’tur: a group of Vulcans who reject logic. And he is also a son of Sarek who was born out of wedlock prior to Sarek marrying Spock’s mother Amanda Grayson. As we end the episode we learn that Xaverius is in fact Sybok, Spock’s half brother. His alias was given to protect the reputation of Sarek.
It was a shocker because the only time we learned about Sybok, he was in the least successful of the Trek movies, Star Trek 5 – The Final Frontier and directed by William Shatner. At some point he was released from the centre to travel the galaxy seeking to fully explore all the emotions Vulcans denied themselves.
Spock had been instructed by his father to stay away from Sybok and his potentially poisonous views. Maybe this is why Sarek was so hard on Spock given he did not want his second son to go the way of Sybok especially as he was half-human. As we saw in the Next Generation episode Sarek, emotions can be potent to Vulcans. We also saw how Vulcans were more emotional in Star Trek Enterprise through the character T’Pol.
When Star Trek 5 opens we meet a hooded figure on horseback galloping across the desert terrain of Nimbus 3, cloak flowing behind him. It is a powerful cinematic image indicating a powerful figure and similar to the likes of the Ring Wraiths in Lord of the Rings. A poverty stricken farmer digging holes in the desert to presumably find water is suspicious at first. Sybok uses his deep telepathic ability to persuade the man to release the pain that burns in him so he can be free. Such is the man’s gratitude he asks how he can repay Sybok. He replies simply he can join his quest to find the greater knowledge that all men seek. But to do that he needs a starship and knows just how to bring one to this backward world. He removes his hood and reveals his pointed ears then bursts into a hearty laugh.
This is a perfect introduction to the character revealing enough to whet our appetites yet leaving enough questions to keep watching. Because he is Vulcan, we know Spock is going to clash with him but if you avoid spoilers, the family reveal will be a shocker to you.
The producers wanted Sean Connery to play the role at first but it went to Laurence Lockinbill instead. He does a great job too. He is quite affable with people and means no harm. However, at some point he began to receive telepathic visions to come to a garden of paradise where God awaits him. All species have a version of it and over the years Sybok has assembled a Galactic Army of Light comprising several races. However there has to be an element of brainwashing involved to command such undying loyalty. However we will see later there is still a choice even after the pain is faced.
We can assume that Sybok has been keeping track of his family while he gathers his followers. It isn’t just coincidence that he targets the Enterprise with Spock aboard to come to Nimbus 3.
He persuades the three Federation ambassadors to his cause, human, Klingon and Romulan and when Kirk arrives with his rescue team, the Enterprise quickly falls to Sybok’s forces.
When I first began to write this I assumed Sybok was a cult leader using his power to brainwash people to his cause but I was wrong. He makes people simply face their own darkest fears and the release of this pain somehow imbues a loyalty to Sybok as he never forces anyone to follow him. No species seems immune and it only adds to his ranks. He is happy to see Spock again and is disappointed when he refuses to be turned to his cause. Kirk thinks Sybok is a madman but when they actually arrive at Sha Ka Ree (a play on Sean Connery’s name), Sybok is proved right after all.
Sybok is a many layered character; desperate to be accepted by his brother as easily as his followers have. What seems like madness to others is a truth that drives him so he is eager to show Kirk he is right. The thing about characters we think we know and to keep any franchise fresh is to introduce things we don’t know about them. As a long time audience we think we know our characters but the nice thing about this is it takes the rug right from under us. Although we would discover Spock had a sister, Michael, in Discovery, Sybok’s arrival also gives a Greek mythology feel to the movie. Two brothers on opposite sides of life. Sybok is not a bad person at all, he is simply been hooked by whatever has latched on to his telepathic abilities. All he wants is family and acceptance, something he will never find on Vulcan. He has it with his faithful followers but it is not enough.
Despite what they say about this movie it does explore human themes of dealing with pain and sorrow and not talking about it. This is very typical of today where we encourage people especially men to talk about their emotions. Sybok is quite open with his brother but it is the scene where he uses his telepathy on McCoy and Spock to show their deepest pain. We learn Doctor McCoy assisted suicide for his father for a terminal disease days before a cure was found. It has tormented him for years and it is one of DeForest Kelly’s best performances. Spock’s birth is his pain but as he tells Sybok he resolved that long ago. Spock further advises he is no longer the outcast boy he knew before he left.
Sybok is vindicated as the Enterprise breaks through an Great Barrier where they find God waiting for them. The joy in Luckinbill’s performance is tangible but when the truth about God is revealed you can literally hear his soul crack with grief. In a final farewell to his brother, Sybok uses his power against the alien giving the others time to escape. It is through this sacrifice that Kirk realises he too has a brother in Spock. When he goes to hug him on the Klingon bird of prey, Spock says, “Please Captain, not in front of the Klingons.” Although we also see that Sybok’s power has positive effects. Those he forces to face their pain come out better people as seen in the three ambassadors who find a renewed sense of purpose and well-being in strong diplomatic matters.
In many ways Sybok is a victim of Vulcan prejudice and codes that show they are not as inclusive a race as they appear to others. Ambassador Sarek long held the same contempt for Spock given his wish to join Starfleet often citing his human half as a disability. Sybok he literally disowned because he wanted to embrace the power of emotion and explore what space has to offer. He was not the first as in Star Trek Enterprise episode Fusion we met a ship of Vulcans who also embraced emotion and tried everything the galaxy has to offer including chicken. They were the V’tosh ka’tur, explorers of self, Vulcans without logic which they claim is incorrect as they balance logic with emotion just as Sybok has. Sybok would have fitted in well but sadly he was denied the love of a father and we have no idea what happened to his mother. Sarek and Vulcan society abandoned Sybok labelling him as some sort of abomination that pollutes what Vulcan stands for. What sort of effect would that have on a child knowing it is not wanted and ignored by all? We know how it affected Spock with his hybrid heritage and that was not pleasant.
Sybok would have been deeply hurt, rejected and alone. Is it any wonder that Sybok was open to manipulation of a powerful alien mind? God as it claimed to be was able to fulfill Sybok’s greatest pain by guiding him to paradise where he would be accepted and hailed by all as a great and wise leader who found paradise.
Captain Archer would have stepped up and pounded the Vulcans for their treatment of this child and in the end, Sybok managed to reconnect with his brother and by sacrificing himself committed the greatest act of love anyone can do to save his brother’s life. Perhaps Sybok’s actions put Spock on the path of stepping in to save the Klingon Empire in the Undiscovered Country. If a laughing Vulcan can find his way home then to Spock, this is the path to end hostilities with their enemies, the Klingons and the Romulans.