By Owen Quinn

This is it! The Last Dance complete with ultiple symbiotes is coming in October and this looks spectacular.
Space is no longer the final frontier. The Darkness is coming and only the Time Warriors stand between it and Earth. Grab your copies today on Amazon!
By Owen Quinn

This is it! The Last Dance complete with ultiple symbiotes is coming in October and this looks spectacular.
By Owen Quinn author of the Time Warriors and Zombie Blues

photos copyright Universal
I was recently made aware of just how many movies and television shows the younger generation have never heard of, never mind seen. So to that end, we look back at some characters you really need to see before you kick the bucket.
The original Battlesta Galactica had a very distinctive look to it featuring Egyptian infuences with a language that was yet wasn’t quite English. Words like frak are part of pop culture now but those influences have led to fan speculation as to whether what we were watching was in fact where our world started when Galactica finally finds Earth. The subsequent Galactica 1980 blew that out of the water but before that happened there are themes of good and evil between higher beings with powers beyond us normal humans.
Count Iblis is one such person. Played By Patrick Macnee, the Avengers and The Howling actor also narrated the intro to the show and provided the voice of the Imperious Leader of the Cylons. When he appeared in the War of the Gods two parter, it was thought that he may actually be the Imperious Leader himself in some sort of elaborate trap to capture the humans. But the truth was greater than that and again feeding in to Earth religious beliefs.
When Apollo (Richard Hatch), Starbuck (Dirk Benedict) and Sheba (Ann Lockhart daughter of Lost in Space’s June Lockhart) discover a crashed ship on a planet, they find one survivor, Count Iblis.
From the start Count Iblis wields his power to get what he wants. Rather than letting the pilots explore the crashed ship, he manipulates Apollo’s instruments to register radiation levels too high to be safe. Sheba is immediately taken by the Count who is charming to a fault. As John Steed in the Avengers, Macnee fine tuned this to a masterclass. Dressed in white, he immediately subconsciously is taken as a good guy by anyone that meets him. Only good guys wear white in our minds. But when mysterious white orbs flash across the sky he is desperate for them to leave as his enemies are hunting him.

When he is given refuge aboard the Galactica, Adama (the late, greatLorne Green) is uspicious listening to his son’s concerns but the Council are not only taken with Iblis but prepared to hand power over to him. Similarly Iblis manages to sway the refugees to his side by providing food where there is none and comfort where there is hardship. He is very critical of how Adama and the Council has treated their people. Iblis can seemingly control people especially those who give themselves to him like a cult leader. Boomer unwittingly falls into this trap as he reveals he would do anything to beat Apollo and Starbuck. Unconsciously he has a resentment of their seeming place as favourites of Adama. He feels his abilities are not being recognised and Iblis can secure that reality for him. Adama is helpless as he loses control of the refugees but Iblis pulls of a seemingly impossible feat. He promises to lead them to Earth and deliver the traitor Baltar. At the end of part one, he does deliver Baltar to them for trial for his crimes. This secures his power as he keeps his word and to the hungry and frightened refugees, Iblis is the man that can deliver them to Earth and a new life free of Cylon tyranny. Such is the indolence, the pilots are too sluggish to respond to the arrival of great balls of white lights buzzing the Galactica. Iblis is furious alerting Apollo that something about these lights may prove to be their salvation. Pilots are going missing when ships are launched to intercept the lights including Boomer yet Iblis is unconcerned. Surely if all these people are his followers would Iblis not want to keep them close rather than let them fall into the hands of whomever is behind the light ships?
Baltar too sees something familiar on Iblis in that he recognises the voice as that of the Imperious leader. The remains of the human fleet have given themselves over to the person responsible for the destruction of their worlds. But with Baltar sentenced to life on the prison ship and Iblis on the verge of becoming president of the Council, he confronts Baltar in his cell. He dismisses the notion he is the Imperious Leader by saying he couldn’t possibly be over 1000 years old.
Adama tells Apollo that the balls of light were written about by their ancestors, The themes introduced her are that they are a higher power something that the humans too may evolve into at some point in the future. However Iblis confirms he is from the same dimension as them. Putting together all the so called miracles and strange mind control, Apollo believes they are dealing with the Prince of Darkness himself, here to drag the Galacticans into a life of indolence and slavery under him. The fleet is vulnerable now the rest of the pilots are allowed free reign to indulge themselves.

Returning to the crashed ship, Apollo finds the truth and shows a horrified Sheba the remains of the people in the wreckage. Iblis appears knowing he has been discovered. When Apollo shoots him, Iblis’s true form is revealed breaking Sheba free from her infatuation. Iblis tries to kill Sheba but Apollo is struck down instead. Iblis disappears vowing to return in another time and place. The beings of light revive Apollo and give them a set of coordinates. The Galacticans learn that there are beings out there that are watching over them and fighting the darkness just as they are.
While Iblis gets away scott free at the end, the door is open for a return which sadly did not happen given there was only one season before the show was cancelled and reinvented into the awful Galactica 1980. What is interesting is that the implication of Iblis bring the Devil raises the Ship of Lights must be God or at least angels on his behalf. It would not be the last time the Ship of Lights would appear. Does that make the Galacticans journey a holy trial or a prophecy?
Parick Macnee was an easy choice to play Iblis because as John Steed, he charmed British audiences as the quintessential English gentleman for years. To be fair, he was brilliant and so popular with sudiences. It is easy to see the Devil parallel as his philosophy is that the only law is there is no law. Indolence and over indulgence are part and parcel of Iblis’ way and given the desperate state the Galacticans find themselves in makes them easy targets for Iblis. Now the connection to being the Imperious Leader is intriguing but appearance wise they are very different. But as we see Ibis has more than one face. Add to that the Imperious Leader is a robot. If Iblis truly is the Devil Then he would amuse himself by setting the Cylons on the fleet. But the Devil needs followers and when a man is starving he will do anything for a slice of bread. Iblis’ grass is muh greener than what Adama can offer butt a desperate person does not listen to reason. They listen to their growling stomachs and unwashed bodies while sleeping in a makeshift bed. Remember there are famlies here and parents have to feed their children. Equally Iblis has no issue persuading the humans to make themselves easier targets by letting themselves fall into sloth. Iblis is very much set up as a cult leader. I wonder if the Cylons had attacked would he have sacrified his new found lambs or unleashed his power to destroy the Cylons? Perhaps he took the Imperious Leader’s voice to taunt Baltar upon his capture?
His confidence and supremacy ooze from his very being making him the ultimate enemy who uses your own weaknesses against you. This may be why Sheba falls under his influence so quickly as she sees in Iblis the father figure she needs since she lost her father, Commander Cain of the Pegasus. It would also explain why Adama, Apollo and Starbuck are not sucked in. Adama ‘s only drive is to find Earth and get his people a home. Apollo is fiercely loyal to his pilots and Galacticans so needs nothing. Starbuck’s unquestioning faith in Apollo is his saving grace. There is nothing as dangerous as an enemy that uses your own weaknesses spoken and unspoken to win you over. It’s a web you become stuck in without even knowing it until you try to leave.
Count Iblis was a great character in Battlestar Galactica that promised so much but was cut short by television executives dumb decisions.
By Owen Quinn author of the Time Warriors and Zombie Blues

Hold onto your seats folks when I say this but Dot and Bubble is the cleverest epiode so far. However woke does manage to taint it although slightly.
Watching it I can see the youngsters of today stuck in their social media bubbles just as in the Age of Steel I could see the explosion of earbuds around me. Because of this I never did get wireless earbuds. I like my flesh where it is thank you very much.
The story focuses on Finetime, a colony under a dome surrounded by the wild woods. Every citizen is a rich kid who lives through their internet bubble. This is powered by the Dot; a robotic device that levitates and surrounds the user with the internet bubble. This bubble tells you when you pee, what direction to walk, group chats and keeps you in constant communication with the other citizens. They have to work for two hours a day then party for the rest of the time. Ruby compares it to Love Island. It even has its own celebrity, Ricky September, who dances to Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini with everyone living there following him.
However people are disappearing and going offline. And nobody seems to care. The story is seen through the eyes of Lindy, part of the population of Finetime.
Just like today, the first thing we do is reach for our phones in the morning just as Lindy does. She cannot even brush her teeth without the bubble. But to open a story with a person in front of the mirror while a monster lurks in her living room is a great hook.
I very much felt the same here as when I watched the Silent and the Weeping Angels on screen. They are just hovering over your shoulder, a prelude to disaster and death. The big slug crab monsters here have that same feeling unlike the 73 Yards Woman last week. A bit like Blink the Dotor and Ruby can only access Finetime via the internet pleading with Lindy to see what is happening. Not even they can penetrate the dome.

Bubbles usually protect whomever is inside but this time they are a hindrance. There is very much a frightening atmosphere throughout not just because the monsters are eating everyone alive all around you without anyone noticing but you can see our own generation in their behaviour. They are stuck in a digital world where everyone are besties. Life is big party and the result is they don’t have to think for themselves. The new generation is putting on weight and their appendages are changing with console technology. Constant exposure to a computer screen affects the eyes and dulls the reflexes. And they see only what is in front of them oblivious to even the calls from parents for dinner. What they could have done is include heavier people in this episode; I saw none, to illustrate how indulence through reliance on technology is on the human body.
This is best seen in the creepy sequence where Lindy drops her bubble and sees she is in fact working in an empty office where a colleague is being devoured by one of the creatures. Urged by the Doctor and Ruby she tries to leave but can’t even walk properly because she doesn’t know how to. She is so used to following the bubble’s directions, this basic bodily function is damaged. There are shades of Wallee in this which is why I don’t want to live in a house where I don’t have to turn a light on by voice command. Additionally, Susan Twist appears as Lindy’s mummy but this time is recognised by the time travellers. Is she a Clara type form splintered across time watching over Ruby no matter where she goes?
Woke does get its finger in here when the Doctor and Ruby fight over how hot Ricky September is which totally jars against the fourth Doctor’s classic line, “She’s a beautiful woman. Probably.” Yes the Doctor has been more lover boy since the new era but do we really need a Doctor who quite obviously would do rude things with Ricky? He gave up Rose to a cop of himself because he couldn’t bring himself to try and live a life with her that way. He has grandchildren so has done it with a fellow Time Lord. It’s not the Doctor no matter what the agenda people want you to think. You have to be true to the character and its history, not what you think the wokes think you should be doing on television.
An interesting point here is that the Doctor cannot speak to Lindy in terms she understands. She is a real bitch to him. Despite this new love for life incarnation he is still a socially awkward Time Lord. Ruby sees what Lindy is and is able to get her to trust her through complimenting her blouse and love of Ricky September. Materialistic items and how she looks is all these people care about.
To save her the Doctor tells her to go to a conduit where there is an underground river they can use to escape. These monsters are really good and remind me of something that came from beneath the waves. That scene where Lindy comes face to tentacle with one in a lift and when she is close to the conduit the Doctor told her to go to but the alley is blocked by four of them sticks in the head. Saved by Ricky September, Lindy is hugged for the first time. Obviously, the party does not include physical contact which is a large part of the party lifestyle. She has a crush on Ricky and we think by freeing them from their reliance on the bubble, we will see a people ala Wall-E where they really see each other for the first time. What sort of offspring would these people produce?
But the truth is darker than the Doctor and Ruby thought. The mystery as to why some people are eaten and others aren’t is so rooted in reality it is chilling.
The Dot is the villain as AI is seen today.
It has grown to hate the humans and their behaviour. It created the monsters to get rid of the humans and their sloth ways. In a way the Dot is a hero and knows how such a lifestyle is not healthy for any society. It does not like the type of people Finetime is breeding. Lindy has been rude and dismissive to the Doctor and Ruby until she needed them to get out of the city. The most efficent way to do that is kill the populace off alphabetically. Lindy and Ricky surnames begin with P and S. If a computer system wants to kill us then that would be the most efficient way.
Ricky tries to contact their homeworld but it has been destroyed. All human life is gone presumably by the Dot. I don’t blame the Dot at all as these type of people are awful in this day and age never mind on another world. They are the upper class that you see on Dr Phil who say their parents should pay their way and they cannot get by on less than £3,000 a week. Work is a dirty word and popularity and how you look is priority to them. How many likes do I have? Does my new hairstyle make others jealous? How much do people want to be me?
Ironically Ricky is the poster pop star good looking guy yet he is the most human in Finetime of them all. He only uses the Dot to upload his videos then spends the rest of the time learning and reading which is how he also know about the river escape.
Sadly, we learn the bubble hasn’t been the cause of their me, me, me behaviour; it only enhanced it. These are horrible people as Lindy, to save her own life, betrays Ricky to the Dot. She reveals his real surname is Coombs, not September so should already be dead and should die before the Dot kills her. The Dot smashes right through Ricky’s head allowing Lindy to escape. This is a shocking moment I had to watch twice to be sure of what I was seeing. Yet it exemplifies just how false their society is and wher their morals and values lie.
This is even more telling when Lindy meets the Dcotor and Ruby in the underground river port along with other survivors. These are all safe thanks to the Doctor and Ruby. The Finetime survivors are preparing to ship out and tame the wild woods and create their new society. Lindy lies as to what happened to Ricky and the Doctor’s suggestion that he can take them all in the Tardis to a new home is met with disgust. Lindy says they cannot go with him as he is not one of them and she barely tolerated his tapping in to her bubble. His claims are dismissed as voodoo and they leave before they are contaminated by the Time Lord. It wasn’t until I watched Doctor Who Unleashed that they refused his help because he was black hence the voodoo reference. I genuinely thought it was because he was an outsider, not rich and not part if the bubble friends group.
Those closing shots of Lindy staring back at the Doctor from the boat are unnerving and powerful. He tells them they will die and as the episode closes, the scariest thing is that these people may well succeed and create a brand new society; a society built on the murder of a man that dared to turn the Dot off and help someone. It will be a society where colour is unwelcome. This ending reminded me of the seventh Doctor standing over the blubbering body of Helen A as she mourned the death of her pet Fifi in the Happiness Patrol. She didn’t care her world had just collapsed then either.
Without saying a word, Ncuti Gatwa’s rage and frustration at their leaving speaks volumes. No good deed goes unpunished and this is one time he should have let them die. The only person worth saving is lying dead unmourned and buried beneath a lie. It is a powerful reminder friends on social media are not really FRIENDS. None of the friends Lindy lost affect her in the slightest.
This is a great episode that is so full of social commentary, and I mean relevant social commentary, it really does make you look twice at people with their faces stuck in phones. The next time you see a video on the net where someone walks into a lamppost, you will think of Dot and Bubble and wonder just how far are we really from this scenario. Excellent.
By Owen Quinn author of the Time Warriors and Zombie Blues

Photos copyright Paramount Pictures
I was recently made aware of just how many movies and television shows the younger generation have never heard of, never mind seen. So to that end, we look back at some characters you really need to see before you kick the bucket.
In the animated series episode The Infinite Vulcan, the Enterprise crew meet a race of plant based aliens called the Phylosians from the planet Phylos. These are totally alien in nature and appearance something which could not have transferred across well as a live action alien. Of course it would be easy to do today but in those days, animation was the way to go.
At first the Phylosians appear friendly and welcoming as they save the life of Sulu. A passionate botanist, Phylos is a goldmine for him. However he is stung by one of the indigenous life forms. Doctor McCoy is unable to stop the helmsman from dying but the lead alien Agmar gives him the antidote. However, this is a distraction to kidnap Spock. The Phylosians reveal they were devastated by a plague brought by a human traveller explaining their familiarity with human biology in saving Sulu’s life. Stavos Keniclius is dead but cloned himself resulting in a giant version of himself. He was sickened by all the chaos in the galaxy like the Eugenics Wars, Romulan War and much more so has searched for the perfect specimen in which to create an army of peacekeepers and that army will be a race of Spock giant clones. This was achived through his knowledge gained during the Eugenics War. His path brought him to Phylos where we learn he carried a disease that decimated the Phylosians. They have no problem with Stavos’ intentions as they saw a fellow spirit in him especially now Spock’s hybrid nature will help bring about their original intentions of imposed peace. Think the Empire and you get the picture.
The Phylosians reveal that before the plague Stavos brought, they had a massive fleet of ships about to launch on the galaxy. They had the same view and were going to impose peace on every planet just like Stavos intends to do. Kirk fails to persuade them that there was peace brought about by mutual cooperation between all species in the Federation.

While the Phlosias intentions were honourable and driven by a need for peace, their methods left a lot to be desired. Maybe fate played a part here by bringing about Stavos’ arrival and subsequent plague to prevent that from happening. But an iron fist does not guarantee peace and stability; instead it will bring about unrest and resentment. It is only when the giant Spock realises Kirk is right does he perfom a mindmeld on the dying original Spock allowing him to leave. The giant Spock will stay with Stavos and both clones will continue the work to make the whole of the galaxy a better place. There is also the chance of saving the Phylosians and restoring their race again. They do pop up in a crowd scene of aliens so perhaps they have taken the first steps to being part of the galactic peace you longed for.
By Owen Quinn author of the Time Warriors and Zombie Blues

Photo copyright BBC
SPOILERS BEWARE!!!
So can 73 Yards continue the quality of last week’s Boom?
The wilds of Wales, a spooky web thing that looks like a dreamcatcher but is actually a fairy ring, a pub in the middle of nowhere and a land soaked in blood.
Spooky trailer indeed. The first thing that struck me was the Doctor’s garb in the beautiful coastline of Wales somehow reminded me of Sarah Jane in The Sontaran Experiment. Don’t ask me why; I don’t know. Excited about being in Wales, the duo tell each other of previous visits to Wales. The Doctor tells Ruby about a Welsh politician, David Pa Gwilliam, who almost brought the world to nuclear destruction then realises this is all in Ruby’s future so he never finishes the story.
So when the Doctor accidentally stands on a fairy ring, Ruby reads the messages amid the bird skulls and trinkets. One of the messages talks of Mad Jack and in a second the Doctor has disappeared. She sees a woman standing in the distance watching her yet no matter how close Ruby gets she cannot meet her. The old woman remains the same distance away every time.
The Tardis is locked so Ruby thinks this is how the Doctor leaves others behind and she walks along the cliffs to find civilisation. Along the way she meets a hill walker who approaches the woman in the distance and runs away screaming. I have to say the shots of the cliffs are stunning and the camera rotating round the Tardis is gorgeous and slightly reminiscent of the 13th Doctor’s final shot.
Finding refuge and overnight lodgings in a pub, the Dead Wood, run by the unfriendliest landlady in the world, Ruby tries to figure what is happening. The pub scenes are a complete nod to An American Werewolf in London’s famous pub scene. WIth the dark setting of night and the close ups, the introduction of witchcraft is well done and an exciting possibility. Are they up against primal forces or a reature from beyond the grave? Has Ruby and the Doctor accidentally unleashed the ghost of Mad Jack intent on picking up his evil behaviour where he left off? The fear of this woman following her unnerves Ruby especially when local Josh went to speak to the woman and ran away in terror just like the hill walker. Is she the manifestation of Mad Jack hunting Ruby?

But the vengeful spirit is nothing but a joke but the persistent woman sticks what Ruby discovers is a distance of 73 yards. There is no reason nor reason. She is there constantly. Even on the train journey home, Ruby sees her everywhere. Her mum Carla stays on the phone while she confronts the woman haunting her daughter. However she runs away screaming, changing the locks so Ruby gets the message she is no longer family.
Jump forward in time and Ruby is found by Kate Stewart but the haunting woman even scares off the UNIT forces. Alone and learning to live with the presence, Ruby sees a television report where new and upcoming minister, David Pa Gwilliam is fighting to make Britain great again. Remembering what the Doctor told her about him, Ruby now thinks she knows why she this is all happening.
Now we are in the Dead Zone territory as Ruby must stop a charismatic politician from bringing the world into a nuclear apocalypse. Infiltrating his political campaign, Ruby works her way into his closest ranks. Gwilliam quickly gains massive popularity and is so popular is about to get the codes for the nuclear missiles in a worldwide broadcast. If that happens then he will launch them bringing about the end of the world.
Ruby positions herself 73 yards from him so the haunting woman appears beside him and speaks to him. He runs away in terror, disappearing from public becoming a hermit. Ruby then lives the rest of her life alone until she returns to the clifftop where it all began. The Tardis is still there covered in all sorts of crap. Ruby lays flowers at the doors then sits admiring the views.
As an old lady, Ruby is visited one night by the haunting woman and it is revealed that the haunting woman has been Ruby all along. This time she stops the Doctor stepping on to the fairy ring and the 73 yards woman disappears.
I haven’t the slightest idea what this episode was about. It feels like a poor man’s Turn Left but without the explanation. Ruby solo mission happens for seemingly stepping on a fairy ring. Is it some temporal anomaly, ancient magic or something that lies within Ruby herself that subconsciously triggers by the thought of nuclear devastation in the near future? Was the Doctor wiped from history? If so why was the Tardis still on the cliff sixty years later?
Millie Gibson does a great job as she lives her life without the Doctor and stepping up to save the world all alone. The pub scenes are haunting and provocative until Mad jack is revealed to be a windup. That is until Gwilliam reveals on a television interview that his nickname is Mad Jack. Ruby’s slow realisation and isolation from everyone she knows and near tenure with UNIT is palpable. Ruby has no emotional ties and has fleeting relationships with men. She is ultimately a lonely figure just as the Doctor is by this strange circumstance.
I knew the woman was Ruby from the get go but how this was going to play out kept me going to the end. But to be honest I grew tired part way through and just wanted it to be over. There was nothing original here and again i have to ask where is the new style of storytelling that brought Russell T Davies back to the show? The only thing I can think of is that this somehow will tie in with Ruby’s secret.
Well acted, well directed but ultimately, not one I will watch again. Back to Boom for me.
By Owen Quinn author of the Time Warriors and Zombie Blues

❗Rico’s Roughnecks! We are delighted to welcome back to Ireland (and to DCC this August!), Casper Van Dien!❗
Casper is best known to us as Johnny Rico in Starship Troopers, Tarzan and the Lost City, Sleepy Hollow.
Casper has starred in over 60 films and television projects. Some of his credits include “Chasing Destiny”with Lauren Graham & Christopher Lloyd, “Modern Vampires” with Kim Cattrall & Rod Steiger, “Thrill Seekers” with Catherine Bell & Martin Sheen, “Personal Effects” with Penelope Ann Miller, “Officer Down”with Sherilyn Fenn, “Big Spender” with Graham Green, “James Dean: Live Fast Die Young” with Robert Mitchum, “The Curse of King Tut’s Tomb” for Hallmark Entertainment and the surprise independent hit “The Omega Code” and of course the role of Amok in the cyberpunk action movie ALITA: BATTLE ANGEL.
📸Group photos with all 3 SST guests (maybe even with our lifesize Arachnid Bug!) are now live!
💻Get your tickets via https://www.tixr.com/…/dublin-comic-con-summer-edition…
#dccsummer#dublincomiccon2024#comicconireland#dublincomiccon#caspervandien#starshiptroopers#alita#sleepyhollow#tarzan
By Owen Quinn author of the Time Warriors and Zombie Blues

Dina Meyer is a film and television actress best known for her roles as Barbara Gordon in Birds of Prey, (for you horror fans) Detective Allison Kerry in the Saw franchise and of course Dizzy Flores in Starship Troopers!
Meyer has made several guest appearances on Friends, Six Feet Under, and Ally McBeal to name a few. Her additional guest star roles include Criminal Minds, Castle, The Mentalist, Burn Notice, and Nip/Tuck. She has also recurred on FOX’s Miss Match, ABC’s Scoundrels, CW’s 90210, CBS’s CSI, and NCIS.
Get your tickets via https://www.tixr.com/…/dublin-comic-con-summer-edition…

It is with great excitement that the Time Warriors can announce that Dublin Comic Con will welcome V the Mini Series star Michael ironside this summer on the 24th and 25th August 2024.
This is a rare appearance for Michael and a huge treat for Irish fans. I have always been a huge fan of V and getting Ham’s autograph will be the jewel in the crown of my collection.
The Canadian actor has had a long and varied career and appeared in Space Hunter Adventures in the Forbidden Zone, took over from Roy Schneider as captain of the Seaquest, Starship Troopers, Terror in the Aisles, Watchers, The Alphabet Killer and voice over work in animated New Batman Adventures and so much more.
Along with Frank Miller, Kate Mulgrew and Robert Picardo, this is going to be epic. Get your tickets now!
By Owen Quinn disabled author of the Time Warriors and Zombie Blues

ME IN MY WHEELCHAIR PRAYING SANTA DOESN’T THINK I’M EVIL LIKE DAVROS!
Definition of disability under the Equality Act 2010 (does not apply to Northern Ireland)
You’re disabled under the Equality Act 2010 if you have a physical or mental impairment that has a ‘substantial’ and ‘long-term’ negative effect on your ability to do normal daily activities.
There are special rules about recurring or fluctuating conditions, eg arthritis.
A progressive condition is one that gets worse over time. People with progressive conditions can be classed as disabled.
However, you automatically meet the disability definition under the Equality Act 2010 from the day you’re diagnosed with HIV infection, cancer or multiple sclerosis.
There’s guidance on conditions that aren’t covered by the disability definition, eg addiction to non–prescribed drugs or alcohol.
Before writing this article, which was prompted by how Russell T Davies’ changed Davros into a two legged Grand Moff Tarkin clone, it is important to understand that I am in a wheelchair (when I am not using my prosthetic leg) and what the definition of disabled actual means. I became an amputee a little under a year ago, adjusting to this new condition over that time, only to watch Davros grow legs just so people like me don’t associate evil with wheelchairs or be seen to be evil because someone may mistake me for Davros; which is utter pedigree nonsense. My wheelchair nor my disability define me so how dare someone else define people like me. How can someone as groundbreaking as Russell T Davies think that even makes sense? Shall we get rid of small moustaches and side shades for people with black hair in case someone mistakes them for Hitler? That may seem absurd but the illogical logic is the same.
There has been a rising bad feeling about this new Russell T Davies era of Doctor Who. He has been gender slapped in The Star Beast by Rose for assuming the Meep’s gender, yet five minutes earlier Rose did exactly that when she cried out upon seeing the Doctor in her home, ‘there’s that man’. Assumption much?
I smell a double standard right there. It happened again when Donna calls him a male presenting Time Lord. The jury is still out on the fifteenth Doctor with many seeing the influence of the mouse behind the scenes with things like wheelchair access to the Tardis, a person in a wheelchair working for UNIT with weapons in said chair.
Also Isaac Newton was played by a man of colour going against historical fact that he is indeed white. I am wholeheartedly behind inclusion as you see in my books the Time Warriors and Zombie Blues. The human race is a diverse multicultural organism and while the whole world is mad at the moment we all love, hate, bleed red, cry, feel out of place, piss and shit. We look different on the outside but the human race is identical all over the world in our hearts and feelings but historical fact is historical fact.
Doctor Who began life as an educational programme so it must continue to be to a certain degree but to randomly use inclusion for the wrong reasons makes no sense. It feels like programme makers of today are falling over themselves to be seen as inclusive and woke for fear of offending someone somewhere to the point it seems facts are irrelevant.
Now that does not really impact my life but the disability part does. I wrote my review of Children In Need; Destination Skaro thinking it was set at a time just before Davros’ accident. It would be pointless bringing out the iconic Davros we know (due to cost) for only a minute or so of screen time. But I was wrong. In the Doctor Who Unleashed episode Russell T Davies caught me off guard and said this.
“Time and society and culture and taste has moved on and there’s a problem with the Davros of old in that he is a wheelchair user who is evil. And I had problems with that and a lot of us on the production team had problems with that, associating evil with disability. And trust me there is a very long tradition of this. I’m not blaming people in the past at all. But the world changes then Doctor Who has to change as well. So we made the choice to bring back Davros without the facial scarring and his wheelchair or his support unit which functions as a wheelchair. I say this is how we see Davros now. This is what he looks like. This is 2023. This is ours lens. This is our eye. Things used to be black and white. they are not in black and white anymore. And Davros used to look like that and he looks like this now. And that we are absolutely standing by. I think because it’s Children In Need night. It’s a night where issues of disability or otherness or being excluded from society come right to the front of the conversation so of all the nights to make this change it was absolutely vital to do this and I’m very, very, very proud of the fact we have.”
My initial excitement at this new second golden era hit a wall right there. I’m not proud of that at all.
Ok so let me point something out. A wheelchair is not a support unit by any means in the way Davros Dalek half is. This stupidity is also done in The Giggle when Donna tells Mel tat calling themselves companions makes them sound like they park the Doctor on the seafront at Weston uper Mare. She then looks to scientific adviser wheelchair user Shirley and asks is ‘parked’ rude. Shirley says it is borderline. No it bloody isn’t, We park our wheelchairs when not in motion so to even suggest this by using a disabled character is insulting ; that offends me.
This is again an example of what happens when able bodied people who haven’t asked an actual person in a wheelchair their opinion. It is then translated to the audience that this is what disabled people think too. Believe me, it is far from the truth.
Now in the far future we may have mobile support units that regulate the person, filled with circuitry and weapons but we live right here, right now. If I get hit by a car while in my chair, I ain’t coming back unlike Davros in Destiny of the Daleks. The support unit saves him and puts him in stasis. Lumic was scarier but he was a man trying to beat death.
So the Doctor Who team are acting from their own assumptions and labels of what being disabled means to someone and the devices we use to live day by day. Secondly, he states that they got rid of the facial scarring before bringing Davros back. How does that make people with such injuries feel? If Davies thinks it is fine to brush away someone with extensive scars for fear of them being identified as evil by the world then someone really needs go away and think about their lens and eyes. What Davies and the team have effectively done is say people with facial disfigurement or in a wheelchair can’t be seen as bad. Aren’t people good and bad despite what they look like? Haven’t they just drawn more attention to people with scarring and not necessarily in a good way? How does this encourage people to embrace this idea which is clearly trying to justify a world that does not exist and an ideology that thinks people cannot think for themselves or form their own opinions?

Add to that Davros will no longer be disabled but a Grand Moff Tarkin type as seen in the Children In Need mini-episode and I have a problem about that. Wipe out an iconic villain because it may offend? Who is it offending because it doesn’t offend this disabled person or anyone else I know. Indeed at a recent podiatry appointment I was told that several other patients felt they had lost their representation due to the Davros reinvention. As for disability being associated with evil is just bollocks. Yes villains are sometimes but not always disabled; scars do not count as a disability. Russell T Davies in the behind the scenes show Doctor Who unleashed has been very vocal that this is why Davros now walks on two legs but is it him speaking or the mouse?
To come back and claim it is going to be a brand new way of storytelling prepared no one for the fact woke has taken away probably the most iconic villain to have ever graced the screens. Such was the initial impact of Davros on fans that he came back several times and crossed generations last seen battling the twelfth Doctor. As Davies says writing changes which is true but to have an agenda seriously change the nature of the show and rewrite the past is outrageous. You might as well tip me out of my wheelchair and kick me in the balls right now. In fact wheel me off a mountain in case anyone is offended by my one leg and two wheels.
Changing Davros is totally contradicting what Davies thinks he is doing. For someone that does love the show so much and it’s a part of his soul, it is not clear if he is acting under orders here from the Disney side or not. Let’s look at it.
According to Davies and this new woke bollocks, Davros’ image reminds us that disability is evil. So what do I do with my 12 inch Davros figure and my other Davros figures. I’d better get rid quick because everytime I look at them I see how evil I and others like me are. Let’s point out that the bottom half of Davros is not a wheelchair but a Dalek. It is a life support system to keep him alive. By this very logic this means that every Dalek is also disabled and a painful reminder that an entire army of mutated beings in wheelchairs are the absolute evil. There is no good in them at all (bar a couple of exceptions like Rusty) and will give viewers the wrong impression of us wheelchair users. So therefore Davies must convert all future Daleks into versions of Dalek Sec from Daleks Take Manhattan. That way disability will not cloud anyone’s view of disabled people who are all good and kind people.

Rubbish.
Just like any section of the populace you have good and bad. There are no disabled James Bond villains, bar Dr No with his metallic hands. As I said before, scars do not constitute a disability. They impact the person’s view of how they see themselves much in the same way a birthmark on the face can make an individual feel uncomfortable. But those that love them see the person not the birthmark or the injury. Are we now to only see wheelchair users as good guys? I’ll let you into a little secret; when I am in my wheelchair, when I cannot use my prosthetic leg, I pretend I am Davros and have a laugh. “Welcome to my new empire Doctor!”
I’m 55 years young.
How is that detrimental to me or those around me? Our kids see me as great craic because they get to push me round and the youngest sits on my lap like a chauffeur driven limo. Am I missing the evil connotations here Russell? Thank God the world will now be filled with wheelchair and disabled heroes and legends. Oh wait, it already is.

Let’s not forget that Professor X from the X-Men is probably the most famous disabled person for kids to look up to out there. Matt Murdoch as Daredevil is blind. Echo is an amputee so is Luke Skywalker with his hand. Echo is a great ecample of diversity and inclusion done right. Norton Drake in the 80s War of the Worlds television series is wheelchair bound as is Barbara Gordon shot by the Joker becoming Oracle in Birds of Prey. Winter Soldier and Nebula have prosthetics as does War Machine to help him walk. Did you know Hawkeye wears a hearing aid? There are three wheelchair users in that paragraph alone.
We can’t forget the Bionic family which includes Lee Majors, Lindsay Wagner, Sandra Bullock and our very own Michelle Ryan herself plus Katee Sackhoff and Max the bionic dog.
We also have Captain Christopher Pike in Star Trek the original series in the two parter; Menagrie. In the same universe is Geordi La Forge, the blind engineer from Star Trek the Next Generation. Now if you ever want to highlight a disabled character that offends; Geordi is it. Before returning to Picard, Levar Burton raised these concerns. Geordi was written so badly as such a loser with women that he became a literal stalker via the holodeck. Now there are people that do that able-bodied and disabled but Geordi should stand as an example of owning what life has dealt you and making it part of you. With disabled characters show-makers should be treated as anyone else; they have good and bad days, are pissy and welcoming. Sometimes I think writers are not sure of how to write for disabled people but the key word is people.
By labeling us wheelchair users and disabled people as ‘snowflakes’ that need to be patted on the head in case someone compares us to Davros or any other evil character offends big time. That will only make us speak up and tell you were to go. In that assumption without asking our view you are not honouring society but putting us in a pigeon hole that you have made up. Restore the iconic Davros now before you end up erasing a villain that spans generations just as Darth Vader does. Stop creating a false view of people that young viewers will believe until they get older and realise life is completely different. Talk to the people you think are going to take offense and make an informed decision on their advice. Most people will tell you to wise up and leave as is.
Doctor Who has always kept the best interests of children at its core. With moves like this, agendas seem to take priority rather than people in general. We are part of the audience that keeps those ratings up. Piss people off and ratings fall. Wake up, not woke up.
By Owen Quinn author of the Time Warriors and Zombie Blues

Photo copyright BBC
There is a lot riding on this episode given the calibre of the writer.
Former showrunner Steven Moffat (I’m taller tha him you know and a lovely man to chat with) is back to write for the show now run by his old mate Russell T Davies. But does Boom follow the pattern of previous episodes and disappoint?
Damn you can see that Davies and Disney are distant memories in Boom. If this episode had been the season opener the ratings would have been a lot better than they were. Indeed on the back of this maybe Moffat should have been the man to bring back the show for the new era.
We open with two soldiers stumbling across a devastated landscape. They are members of the Anglican Marines whom we first met when they had River Song in custody on a mission against the Weeping Angels. One steps on a landmine and is vaporised while the other, John Vater, who has been blinded in an explosion is treated by a mobile robotic ambulance. It decides four weeks is too long for his injuries to heal to be of value to the war effort. He is given the chance to send one last message to his young daughter before being compressed into a torch like object. It contains an interactive AI of the deceased that will prove critical later. I’ll call it an infostamp as seen in the tenth Doctor story the Next Doctor.

We also meet Vater’s daughter, Splice and soldiers Canto and Mundy Flynn. Kanto and Mundy have a thing for each other while Splice is waiting for her dad to come back. Now here’s the thing; Mundy (Varada Sethu) as we know is to join as a companion in season two and here her introduction to the Doctor and Ruby is fraught to say the least. This is similar to the surprise Clara introduction in Asylum of the Daleks. But that’s the whole tone of this episode. Take nothing for granted.
It is about the horrors and economics of war but as seen through the eyes of the Doctor and Ruby.
When Vater is killed the Tardis materialises and the Doctor runs out to help but he ends up standing on a landmine which we have already seen is lethal. His Time Lord heritage delays the explosion but the tension is palpable. If ever anyone ever had doubts about Ncuti Gatwa as the Doctor Steven Moffat has lain those to rest.
Our fun loving Doctor is suddenly faced with the real possibility of death. He has no gadgets, no special tricks, nothing. He is a man facing his own mortality with only Ruby to help. Ncuti gives a tour de force performance here as the Doctor literally one step from death. The usual fun loving Time Lord is reduced to a terrified, babbling man whose demise will destroy half the planet.
This sudden revelation of the Doctor’s death in this manner will cause such devastation actually ties in with his regeneration energy which we have seen level Trenzalore and destroy the Tardis. That may have confused some viewers and it initially did for me but thankfully I’m a lifelong fan. That’s why all the Easter eggs were a delight even poor Vater telling the ambulance that his vision is impaired, the cry of a Dalek when its eye stalk is compromised as far back as the McCoy era Remembrance of the Daleks and the Doctor telling Splice that he loves fish fingers and custard.
Indeed Ncuti’s performance here brought back shades of Matt Smith for me. That pure rage and anger while trying to keep spirits up opens up this Doctor like never before. His helplessness and terror scare Ruby to an extent but she refuses to do anything he says. She will save him no matter what.
The three storylines converge nicely, each significant to each other. Splice turns up to find her dad along with her protector Mundy as does Canto. Each arrival puts them all in greater danger as the Doctor struggles to control his bopdy functions that will trigger the landmine. Trust is in small supply until the Doctor figures out how to save the day and what is really going on. The war is a fake run by a company to generate profits and the mysterious enemy which may be mist or mud monsters don’t exist at all.
Mundy and her fellow priests have been fighting a one sided war for profit only. Watching her initial distrustful meeting with the frozen Doctor in which she wants to get Splice back to the base with her father’s remains is a beautiful mini journey. Her mission is to keep Splice safe and bring her dad home to her as the infostamp contains his memories and interactive hologram. When she fires on the Doctor and he almost drops the infostamp you jump. Her arc is well done given Canto’s death, her new found role as mother to Splice and taking a chance on this man, whose death will destroy them all, when he challenges her faith against proof is fraught with tension but very well acted.
That’s the strength of this episode; it is believable. I never found anything hard to swallow. It is almost a stage play but also a chance to expand the Ruby mystery and show that travelling with the Doctor is not always a song and dance show. The song here is haunting and beautiful and integral to the action.

War is hell as Mister Ratcliffe tells the Dalek computer in 1963 London and here the stark reality of war is slammed home. Innocent people die in war under the banner of collateral damage or acceptable losses. The true horror of that is lost in a whitewash but here when Ruby is shot by Canto it is brutal and hardhitting, The horror of her body jerking under multiple shots and plunging down the slope like broken doll is horrifying. Moffat killed both Clara and Bill Potts back in the day (remember Bill getting a hole blown in her the size of a basketball before being turned into a Cyberman with the Master#s help?)
Helpless to rush to her side and save the day, The Doctor cries with a feeling of complete uselessness. I don’t think we have seen him experience just how lethal war is before like this. He is stuck in a moment of time helpless while all he cares about falls around him. Could it be that he is seeing those he lost as he stares at Ruby’s broken body? He made a promise to her mother to keep her safe and as failed. Just as he told Rory’s dad that he would bring Amy and Rory back safely, the Doctor’s life may have just claimed another innocent that he was suposed to care for.
When the ambulance decides Ruby’s injuries are too etensive to treat, ssnow begins to fall just as it did before, manifested somehow by Ruby life force fading. There are always options and the Doctor finds a way to save everyone incuding himself when he persuades Mundy to believe him and uses Vater’s infostamp to invade the ambulance’s network. But what does the snow manifestation mean? When Maestro was draining Ruby of her music last week, something was triggered that scared even the Toymaker’s daughter.
Could Ruby be one of the pantheon gods but one that isn’t evil or a meglamaniac? Only a god can scare a god. Is her near death experiences causing her real self to manifest like a butterfly emerging from a caterpillar? When the Doctor opened the veil between realities in Wild Blue Yonder was Ruby a consequence of that act? It would explain why the Doctor looked so nervous doing secret scans of Ruby in the Tardis. It would also explain why he was tracking her in The Church on Ruby Road in the clubs. Could Ruby be the Dark Phoenix of Doctor Who? All this love and attention and hugs may be the Doctor’s way of bringing her to the good side if she does ever emerge. Or was she taken from the baby farm, implanted with a force that will destroy the gods that are coming and left on Earth for the Doctor to find? Is there another force watching out for the Doctor? After all the universe without the Doctor scarcely bears thinking about. Food for thought indeed.
Overall, Boom is pure Doctor Who at its best; a beautiful intimate setting with performances that allow us to really see why Gatwa and Gibon were given this job. I was on the edge of my seat. I had no idea how the Doctor was going to get out of this and despite a slightly happy ever after ending, was a journey of perfect writing. The dialogue is delicious. I would have liked to have seen Ruby and the Doctor impacted as they stood in the Tardis door a bit more like the tenth Doctor was at the end of Midnight. On that occasion the Doctor was as close to death as he is in Boom. I have a feeling that the trauma they both go through is merely a taster for what is to come.
Welome back Steven Moffat; see you again at Christmas.